Episode Transcript
[00:00:00] Yes. Yes. Don't forget to log on to doggydiamondstv.com that is my official website. On there, you will find ways to contact me as well as videos you might have missed. And if you go all the way down to the bottom of the page, you could put your email in and you could be a part of this dope email blast that I send out also. Listen, man, have you heard about my 200 social media promotion deal? I don't think you know about this deal, so I'm gonna give you some details really quick. The promotion will be done on Doggy Diamonds TV and the Interlude TV, that's the Insta stories, the YouTube communities, the threads, the Facebook, the Twitter accounts. I can promote whatever you need. But as a reminder, this is for serious inquiries only. Must be cash at ready. I can help you get in front of over 500 to 600,000 people with a post on various social media outlets with your product. Just contact me and at Doggy Diamonds on Instagram, and let's figure it out. Let's go.
[00:00:59] Yes.
[00:01:00] Huh huh huh huh huh huh huh huh. Don't forget, Doggy Diamonds did this. Yes.
[00:01:10] And as you come in the room and watch this on the playback, hitting that like button is very, very important.
[00:01:15] We got Tisha in the building. We got Ayatollah Flomini here. We got Merlin Gumbo here early.
[00:01:21] This is just an impromptu. I know I could have started time a little early. I could have let y a little earlier. But playback gang will be in the building, so let's holla at them.
[00:01:31] Now, if you're a rapper and you feel like you caught a straight tonight, hey, that's not my problem. That's yours. If it don't apply, let it fly. If it apply and you get mad, hey, just stay mad. Cause ain't nothing you can do about it. But just bite your lip and be angry. Because you can't beat me, okay? And no way we gonna talk some hip hop tonight. And I know when I talk hip hop, some people get so mad they punch their computer. They do all types of stuff Mr. Q was going on. They be so angry, they want to just write a rap dissing me. But you can't because I' ma dis you back.
[00:02:09] And it's the truth, fam. Ruse, what's up? Make sure y' all hit that like button. Yes.
[00:02:16] Hello, YouTube. Play with the notifications, everybody. Not going to get the notifications. It is what it is. That's why you should log on to Doggy Diamonds TV.
[00:02:25] TJ Scottzilla, 1986 is in the building.
[00:02:29] Yeah.
[00:02:30] And don't forget, Doggy Diamonds did this. Yes. Huh?
[00:02:35] It happens.
[00:02:37] We gonna talk about some of y' all rappers tonight. You know, y' all know what the name of my instrumental album is gonna be, so you should already know how I feel.
[00:02:48] But if I could praise some people, I could keep it real about them, too.
[00:02:53] It don't be a lot of honest conversation when it come to hip hop.
[00:02:59] See a lot of fluff, a lot of buff, a lot of knee scuffling going on. And then you got me.
[00:03:07] Then you got somebody like me that just come and shake the whole table.
[00:03:13] You got all them CDs on there.
[00:03:17] I just come slap the table, slap all your. All your CDs on the floor.
[00:03:24] I just take your mic and just cut the mic chord, get you out of the booth. Tell you your beats is whack, your rhymes is whack.
[00:03:34] The subject matter is garbage. Horrible.
[00:03:37] Who cares about what you talking about?
[00:03:40] Who you rapping for?
[00:03:42] Who you rapping for?
[00:03:45] Who's your demographic? Who's your audience? I don't care what they tell you on Twitter, man, this is hot. This is flames. They lying to you.
[00:03:54] So this show is dedicated to the rappers with the large catalogs.
[00:03:59] Timeout.
[00:04:00] The large discographies. But they ain't got no records. You know, many artists, you know, got all these projects, mad songs, mad collaborations. You don't know one song.
[00:04:20] There's so many of them, I don't even know who to name.
[00:04:26] Now think about this, right?
[00:04:28] When you think about music and you think about discographies and you think about songs.
[00:04:34] Dougie Fresh, I was around the greatest entertainer because I'm real cool with his son, Shout out to square off Slim and Damn, I forgot my other homie name.
[00:04:46] That pissed me off because I forgot his name. Drop Top Slim. And bro, how I forget your name.
[00:04:51] But Dougie Fresh Sons, they have a studio in Harlem that I was at a few times. Corey Guns was there, shout out to Corey Guns.
[00:05:02] And Dougie Fresh was telling them something.
[00:05:07] And it was a particular time where they was, you know, real, real cool with Vato. And following Vato around, you know, supporting Vato.
[00:05:18] And Dougie Fresh said he could rap, but he got to make a song. He got to make a hit song.
[00:05:28] Now, hit became subjective these days because be calling everything classic. Don't be no classic to me. But Dougie Fresh said, all you need is one song. You don't need 10 albums. You don't need a hundred. Features. You just need one. So now look at this. You got something called licensing and sync fees that you can charge if you make that particular record.
[00:05:55] So it'll be a commercial, and people will look at, say, Dreads. Dreads from Black Sheep. Dreads don't have 900 albums. Dreads don't have a many features. But we do know Engine, Engine number nine going down. They're gonna go lift the train.
[00:06:14] We do know that, right?
[00:06:17] But some people will say Dreads is, oh, he's washed up. Blah, blah, blah. That's what people will say.
[00:06:25] But you'll see a commercial that'll say, come on. And then they'll go, this or that. This. He has. He gets paid from that 30 years later. Meanwhile, you got all these songs, all these albums. We all know nothing.
[00:06:42] So when we say Dreads, when we say people like Dreads, when we say people like some of these artists and. And people be trying to play them. Like who? I don't even know. And you say, he made the song this or that. Oh, oh, oh, I know who that is. But name some of your artists that you say is your favorite artist, artists that you love. And that's hot. You don't know one record. You'd be like, oh, no, they made this album. They made a tape called Such and such. Because I don't know why we still call it mixtapes. Because it's streaming. There is no more mixtapes. No more. There's no physical copies unless they doing vinyl deals with some people. But people still talking about they dropping the tape. But these dudes is dropping all these albums.
[00:07:20] But you don't know one song.
[00:07:23] You don't know one song.
[00:07:27] Not one.
[00:07:31] It's all quantity.
[00:07:35] And then when you listen to the whole body of work, you'd be like, this did this project in four days, man.
[00:07:47] Now, I do want to say it's an artist that I like, because if I could talk about who whack, I could say who I like is an artist by the name of Husk Kingpin that's doing a series called Threesome.
[00:08:03] I think he's on volume 5.5 right now.
[00:08:07] Yo, when I go through them. Them volumes, I be picking out songs that I'd be like, damn, I wish he. Well, I think it's because he don't have probably sample clearances.
[00:08:22] Yo, he got this yo out of that series, some fire in that series.
[00:08:33] Fire in that series.
[00:08:35] But I'll be listening to these other dudes. They be having part this and part that, and I'll be Like, weak this week.
[00:08:45] But Husk Kingpin, I wish I could play the music.
[00:08:51] His style of what he's doing with the production, what he's listening to, and how he rapping to these beats. Come on, man.
[00:09:03] He got it right now.
[00:09:07] He got. He got it right now. And I'd be trying to. Yo, I'll be trying to listen to these dudes. I'll be saying it's dope. And I don't.
[00:09:14] I don't hear what y' all hear.
[00:09:17] But when we talk about that threesome, yo, shout out to whoever produced that Angie Stone record for him.
[00:09:29] I know I can't play it because of copyright, but I'm just gonna tell y' all, that just been my theme song since it came out.
[00:09:41] He got another joint called Layover Love, where, yo, like I said, I. I rock with it.
[00:09:49] I rock with it. See, that is a series that makes sense to me because it has a theme and there's some gems on there. I just know he can't really do much with it because of sample clearance, you know, but it's some joints on there. It's. No, I gotta get y' all this record now.
[00:10:09] I gotta tell y' all the name of this record, because it's. It's. It's important.
[00:10:15] It's important. Hold on, hold on.
[00:10:29] This song. Oh, he. See, he just dropped 5.5.
[00:10:33] I got to listen to that.
[00:10:37] This is called.
[00:10:44] Oh, it's going through the headphones. Damn.
[00:10:50] It's called Broken Wishes.
[00:10:55] Goodness gracious.
[00:10:59] Tell you right now. Hold on.
[00:11:07] Oh, I got 5.5. It's called broken Wishes.
[00:11:12] Let me tell you something.
[00:11:14] That's one of the illest sample flips I've heard in a very, very long time.
[00:11:20] Is threesome part 5 only built for supermodels? This is it.
[00:11:28] And it's called Broken Wishes, that Angie Stone flip.
[00:11:33] Y' all know I like beats.
[00:11:36] Incredible.
[00:11:39] But I know I'm wondering why all these artists is doing all this music.
[00:11:46] And is it because.
[00:11:49] I don't know why.
[00:11:52] Is it because of yes men around them? Is it because people are not keeping it real? See, this is why my voice is so important. This is why they be trying to silence me. Because I'm keeping real on the music.
[00:12:06] I'm not going to be one of the ones like, oh, you spit flames. It was fire. No, was whack.
[00:12:14] That's where I come from. I don't come from putting emojis on the people posts, just sitting there pacifying somebody. Cause I know them, and they cool. I'm used to calling Whack.
[00:12:26] Still ain't get over me calling Red Man Money Waters Tool Whack. They still gotta depends on right now. They still peeing in the potty behind that. They still mad.
[00:12:36] They still mad. Cause I call that Snoop Dogg and. And straight album Corny.
[00:12:42] They still mad.
[00:12:46] Now when I think about collectives, I love Griselda, I like west side. I like Conway, I like Benny.
[00:13:02] But when I think about a record that is a record that is gonna. That I'm gonna play 20, 30 years from now, I'll be trying to skim through it. Now individually, they might have some of them because I like the Benny record with Black Thought with the Al Green sample Fire. But these dudes be having mad albums.
[00:13:31] And I'd be like, yo, what joint do I really love off this? Like, can you. You know how. See, there's a difference. When you like a record and you love a record, do you find now that it's records that you like, but you don't love it?
[00:13:45] It's a difference. When you love a song, when you play it, you'll play that again. See, I come from the hip hop where you on the first record, you can't even get to the second record. The first record is so fire that you keep playing it over and over again. Then you might get to the second. Now you listening to this stuff as a colle, and then y' all be saying it's a classic.
[00:14:06] How.
[00:14:09] How is it a classic? What makes this a classic?
[00:14:14] I don't be hearing. I don't know.
[00:14:17] Might send me some Q tips or something, or one of them ear irrigators or something. I don't hear what y' all hear.
[00:14:23] I be hearing a bunch of rush work. To me, I don't hear which I hear. I don't. I don't know.
[00:14:32] But I know when I hear dope and I don't.
[00:14:38] It's been. It's being far and fewer, but dudes is just doing all these projects. And I'd be like, see, because think about this, right? You can't rush greatness.
[00:14:51] Right?
[00:14:53] You can't rush greatness. And if this project is so fire, why you don't let the project breathe? Why you trying to do another one?
[00:15:02] Why you trying to put out something else real fast? And if I'm lying, if what I'm saying ain't right and exact, then why you think hip hop don't get covered no more? Why you think a lot of these blogs, YouTube pages, Instagrams, nobody's really covering the new hip hop. They always going back to the nostalgia or something that was already out.
[00:15:23] Because the new shit be trash.
[00:15:27] That's why they don't be covering it. That's why when you go to some of my favorite sites, Hip Hop dx, Hot New Hip Hop. They don't talk about hip hop. All hip hop. The name of them sites is hip hop. They do not talk about hip hop.
[00:15:42] They do not talk about hip hop. Because the new hip hop be trash.
[00:15:51] Straight like that.
[00:15:54] It don't be nothing that you gonna listen to forever. You'll be off that in like a few days.
[00:16:01] It's not, it's not the same.
[00:16:04] But you'd be like, damn. Then he could drop to certain out indeed in DJs.
[00:16:09] What are y' all playing? Let's keep it real. See, this is what I'm saying. They don't want to have this honest conversation because if, you know, dudes be in their feelings.
[00:16:18] But I don't care though. Cause you know, you see me anywhere, whatever you want to do, we could do that too. You know what I'm saying? Whatever. But I'm gonna talk about this culture if I so choose. Because I added on to it, right? So if you a dj, what are you playing?
[00:16:35] That's a dope hip hop set now that you gonna have people rocking with it.
[00:16:45] Who give me 10 record, give me, give me five records that you gonna get the joints started with. Cause you still gonna go back to that dip set set. You still gonna play that G unit set. You still gonna play that lock set. You still gonna play that Rockefeller set. You still gonna play that cash money set. You still gonna play that no limit set. You still going to play that young money set.
[00:17:12] You ain't playing none of these new dudes.
[00:17:16] I ain't playing none of these new dudes. They not. They didn't enter your set.
[00:17:22] They didn't enter your set.
[00:17:25] Now if you talking about sausage parties where there's a bunch of musty dudes in there, you know, just, just standing around, you know, smoking reefer and, and, and, and, and, you know, strutting around like peacocks for each other, yeah, they're gonna play some of that, that new stuff. But if you in a spot, think about different type of parties. You got grown and sexy parties.
[00:17:54] You got parties where it's a lot of ladies in there. You can't play none of these.
[00:18:04] What you gonna play from these? What are they talking about?
[00:18:09] But they got these huge catalogs. You go look them up they got like seven, 18 albums.
[00:18:15] You don't know one record.
[00:18:19] You don't know one record.
[00:18:25] So think about that.
[00:18:28] You don't know one record.
[00:18:30] You said be on the lookout for you if you trash. I'm telling you, you could be mad, you could do whatever you want. But you said be on the lookout for you if you trash. I'm telling you, I ain't sparing y' all no more. A lot of y' all be dropping a lot of of duds and weak and it'd be the same. First of all, first of all, first of all, Blue, let's rewind.
[00:18:57] We have our elite rappers that we know that set the standard for what hip hop should be about, that made hit records that's gonna last forever. Then you got dudes who's coming in the culture. You're not really adding on nothing. You just rapping.
[00:19:11] You're not even trying to really make a difference. You're not even trying to put your. Your put your flag in the ground. Like we here you doing freestyles over beats that we already heard.
[00:19:27] Why are you freestyling over beat that we ever heard? You think we'd rather hear you over the original?
[00:19:33] Really think about that.
[00:19:36] It ain't got nothing to do with the 90s way of, of doing the music business. We ain't even talk about music business. We're talking about people making whack ass music.
[00:19:47] We don't consume music differently. If it's dope, we gonna consume it the same. It's just a lot of mediocrity.
[00:19:53] Seriously. It ain't got nothing to do with the 90s. This ain't no, this ain't no time frame.
[00:20:00] Dudes are putting out a lot of. Because if it was the 90s. All right, so let me give you this. If it was the 90s and the music that they putting out now, they had to get a budget for it. Would they be able to get a budget?
[00:20:17] No.
[00:20:18] You could tell the music is whack when they don't even want to do a video for it.
[00:20:24] Really think about that. When they don't want to do a video for the songs they got, you know, it's garbage. They don't even do no videos no more.
[00:20:35] Just think about it. They don't do no videos.
[00:20:39] They just put the song out and be like, yo, coming soon. Stay tuned. This will be out this. And they got these elaborate titles. So you caught up in the titles. But when you hit play. Come on, man, you ain't, you ain't sitting there Listening to nothing like, oh, this is fire. Yo, dudes don't even be sharing the music no more. Remember we used to share music. Yo, you heard that new such and such. Come on, man.
[00:21:06] That's why I think I really got to curate a playlist. I gotta create me a Spotify playlist.
[00:21:13] I gotta start curating some playlists because we being cheated.
[00:21:19] That's what I'm. Dudes don't even. No video means no hit.
[00:21:24] So at the end of it all, if you think you got a hit record, you put the bag behind it. You do the marketing, you do the promotion, you do the video, you go to DJs, you do all types of stuff. They don't do none of that no more. They just put stuff out and just be like, yo, it's streaming, think about that.
[00:21:47] Streaming.
[00:21:52] They don't put no money behind their music.
[00:21:56] And you can hear it, you can hear it. It's, it's all this.
[00:22:03] Yo, some of y' all dudes who be rapping about hustling and, and selling drugs, they go and took your.
[00:22:11] Let me tell you something, hustling on the block was a privilege. And if you wasn't connected, you couldn't do it. So it's easy for anybody to say, they'll sell this and they'll sell this and sell that, blah blah, blah, blah blah blah, and get up out of here. You wouldn't know. You wouldn't know.
[00:22:30] No, you wouldn't know.
[00:22:31] It was a privilege to be able to be out. First of all, it was a privilege to be able to be outside with certain dudes, would have took your work, who you work for, who said you could be out here, would have took your shit, you'd been going to the store, you'd have been going to get 40s, you'd have been a roll up man and you can't smoke.
[00:23:06] And now you see people, I'm whipping the pot, you know, turning oil and because what it is, they learn the terminology and then they just start putting it into raps.
[00:23:16] So they learn the terminology and then it starts sounding good and you'd be like, so if you is this extravagant money getter, why are you taking record deals?
[00:23:33] Why are you trying to get out of record deals?
[00:23:39] See aunt one, you on to something. Because now a dude just need a mic and a little setup and he's sitting in there recording.
[00:23:47] Dudes ain't mixture and mixing and mastering, it's just loud.
[00:23:55] Then you got individuals because I be peeping stuff. I be like, yo, I, I' Ma, listen, What is this about? Who is this about? What.
[00:24:05] What is these individuals about?
[00:24:08] So it's like, all right, you a gangster. You a hustler.
[00:24:13] You think you crazy or you think you dropping science?
[00:24:19] So if you have a little bit of jogging and you be like, you know that step into the realms of chaos and from the Cipher, the Lord, Lyrical Assassin and all that. Once you. Once they start doing that, man, get out of here with that. Why you want to hear that?
[00:24:35] You don't live like that.
[00:24:37] You don't live like that.
[00:24:41] Then you got dudes who rapping about what they'll do to people. No, you won't.
[00:24:47] No, you won't.
[00:24:49] No, you won't.
[00:24:52] Fuck out of here. No, you won't.
[00:24:57] So it ain't. And it's. And it's easy to do that.
[00:25:00] It's easy to make that type of music. But do you know how hard it is to sit there and construct an album?
[00:25:10] Let me tell you what an album supposed to sound like.
[00:25:13] An album should be like a movie.
[00:25:18] That formula will never go away. I don't care who did it, who does it even later on. The album should be like a movie. That formula will never get played out.
[00:25:35] You should have the beginning, where you introduce the characters.
[00:25:45] You should have a middle, a plot, sex scene, ending, climax, ending.
[00:26:01] It's never gonna change. If you look at any classic album, it always was the same formula. And Don't Try to Steal My Too. And change that to your. Without giving me no credit.
[00:26:12] That ain't never gonna change.
[00:26:15] So that's your girl song. That's your gangster song. That's when they go to DJ Premiere. I need that. I need that record because I know DJ Premiere gonna give me that boom bap. I need. That's your gangster song. You got a song for the ladies. You got an autobiographical song that's about you.
[00:26:33] Then you got your ending song. But we listening to Be like, yo, all this sound like the same.
[00:26:43] Now take.
[00:26:47] Besides, why take any Jadakiss verse and take a verse from Blood Pressure, take a verse from Wild out and take a verse from another song. Take all three of them verses and put them on another beat. It's the same.
[00:27:18] It's the same. No, Jadakiss is going to say what color sneakers he got on.
[00:27:25] He gonna say what color whip he's in. He gonna say what type of jewel every verse, what color sneakers he got on, what color whip he got and what kind of jewelry he got on. And he gonna say a ill ass line in that. But the Difference is, even with the monotony of it, he knew how to make a hit record out of it when it was the locks.
[00:27:51] Him by himself. He got good records. He got good enough verses, but he was a part of hit records.
[00:28:03] Y' all new dudes who not. Yo, y' all not even new dudes. Some of y' all not even new. You capping like you a new dude. You old. Some of y' all is in your 40s. Stop acting like you a new rapper and I ain't get my shot and all that. Yes, you did.
[00:28:17] A lot of y' all did, too. You be trying to go on the aliases and you don't been with mad crews and all types of. And then now you acting like you with some new artists who. And get out of here. Y' all ain't low either.
[00:28:32] Y' all ain't low either.
[00:28:35] Is hitchhikers. Stick your thumb out and be with a different crew every. Every time. Just listen to.
[00:28:43] Listen to every classic.
[00:28:48] I think the only classic album that didn't have a girl record is, like, Illmatic.
[00:28:57] That's the only album that didn't have, like, a girl song, but it was the first of its kind.
[00:29:06] And all you dudes who sneak watching me too. Who will be in your feelings and you feel away.
[00:29:12] There'll be a lot of y' all rap who be mad, too.
[00:29:19] You be mad.
[00:29:21] I love that, too. When y' all mad.
[00:29:24] Cause you can't do nothing about it. You just gotta be mad.
[00:29:27] There's nothing you can do.
[00:29:29] But if you was intelligent, you would listen to what I'm saying and actually heed the word that I'm saying. And take some of this that I give you and implement it.
[00:29:46] And implement it.
[00:29:50] I recorded Legends.
[00:29:53] For real, me, I recorded legends. I was on the boards.
[00:30:01] Now do that over.
[00:30:06] That was me.
[00:30:09] So you say what you want about me.
[00:30:12] Can never take that away, ever. Can't take it away.
[00:30:16] You name the genre that I was in. I did some legendary in it.
[00:30:24] I know y' all be. I know you be mad sometimes, but I. Every genre that I ever was in when I directed videos, I did Winter wars video.
[00:30:39] I do interviews.
[00:30:41] I got a few classics. Pick them. Pick them.
[00:30:46] When I was doing music, I recorded Biggie Little Kim, Uncle Murder, Sean Price Smith and Wesson Agala.
[00:30:57] I recorded Legends. Me on the boards.
[00:31:00] When I did videos, I did classic music videos in classic interviews.
[00:31:08] So you can't really say to me, but I could say that y' all got a whole lot of catalog and not One song that I know, which I want to be in the conversation. But we don't even have nothing to identify you with.
[00:31:23] Just really think about that.
[00:31:26] You got all these things, but we don't have nothing to identify you with.
[00:31:34] Naming the project is not identity.
[00:31:38] What you think is deeper? Paid in Full or Eric B is president?
[00:31:45] What he made, yo, he made the album Paid in Full. What was on that album? I came through the door. Oh, y' all be having these projects and it'd be like, yo, what's the name of his album? Such and such. What's on there?
[00:32:00] He got some on there now. He got some on there.
[00:32:05] What?
[00:32:09] Y' all don't even make songs that define you.
[00:32:14] Who are you?
[00:32:16] We know who you aspire to be. We know who you think you are.
[00:32:20] But who are you?
[00:32:24] Every artist should have a song that defines who they are. This is me DMX has slipping.
[00:32:38] Out of all of them great albums DMX had, he always had a song we identified with.
[00:32:49] Slipping is my favorite with the 1 2.
[00:32:57] So if we never knew anything about DMX, DMX, what he made, he made the song. Yo, I'm slipping. Oh, I like that record, y' all.
[00:33:09] You be wanting to be all on top 10, top feet, top 15 lists. You want to be in the conversation, but you ain't got one song that nobody know. Not one.
[00:33:21] You just naming projects and albums, and then you'll drop an album in project, won't even let it breathe. You putting out another one. Part three is coming.
[00:33:30] We ain't here. Part one and two and we don't care. But y' all let yes men, yes women, weird ass fans make you think it's fire. You know when you know you fire.
[00:33:47] You know when you know it's fire. Take that same album, take that same album, take it off of streaming platforms and sell it and let's see who buys it.
[00:34:03] Bet you will hit different.
[00:34:04] That's what I always tell people. You want to know when somebody with you sell something, because a true supporter gonna buy anything from you. Oh, that's you. Oh, that's to support you. I. I'll cop that off. The strength for you.
[00:34:19] Yeah, I don't need this.
[00:34:21] But why? Look, why y' all keep saying who I'm talking about? Talking about all these. I just mentioned name earlier, which I want specific names. It's too. It's too broad of a brush to paint. All these dudes that be coming out that got these large, elaborate catalogs and you don't know one record.
[00:34:43] Name them. Y' all always naming their names to me. Oh, you don't listen to such. And you. You don't listen to that neither.
[00:34:52] All of them.
[00:34:55] Bar no one who said it was garbage, wasn't garbage rappers before social media. You know what? Sometimes I'm for certain that some of y' all, Some of y' all held your pencil with all five of your fingers.
[00:35:22] I'm for certain, because I know I just needed two. I just needed that pointer, that middle, and that thumb. And I was good bread.
[00:35:30] Some of y' all.
[00:35:32] Some of y' all held your pencil with all five fingers. I. I know it, it. It. I could just tell with some of the comments, some of the reactions, some of the banter.
[00:35:45] If said artists that you like has many projects and you cannot name one song, then I'm talking about all of them. That's what I'm talking about. Name the artist. You pick them.
[00:36:00] Because y' all stay. Always throwing somebody in my face. You always say, oh, you don't listen to such. You don't listen to this. You don't listen to this.
[00:36:09] But y' all saying the hits in the underground. What's that underground? Your hip high on hip hop media. Oh, I've been a hater. Cause I'm calling out good. I be that then.
[00:36:24] Because if I was here praising somebody, you'll call me a glazer.
[00:36:32] See, you can't win if you either you glazing or you hating.
[00:36:37] Ain't even no middle ground. You either a glazer or you a hater.
[00:36:44] I've been a hater. When I earlier said I like Husk Kingpin, didn't I say that?
[00:36:51] But look, somebody who's a nobody, who's an alias, because y' all know. Y' all gotta know I'm good at this YouTube thing.
[00:37:00] I'm good at this YouTube thing.
[00:37:03] Look, look, look, look, look.
[00:37:06] Because they got a fan base. Doggy. We know you and not a big we. You don't even make no sense. You. You.
[00:37:18] You don't even make no sense.
[00:37:23] Said you don't like west side Gun. You a hater.
[00:37:26] So let's do this real quick, right? Let's. Let's do this. Let's do this before I get you up out of here. Let's do this. Let's do this. Let's do this, cuz I like this, right?
[00:37:38] Let's do this in real time, y' all. Right?
[00:37:41] Let's do this in real time.
[00:37:44] Let's do this in real time.
[00:37:49] Let's do this in real time.
[00:37:57] So he said I'm a hater, cuz I don't like Westside Gun. Right?
[00:38:01] What does this video say?
[00:38:05] What's the name of this video?
[00:38:08] What's the name of this video?
[00:38:12] Westside Gun doesn't get the respect he deserves for his greatness. Why? So how am I a hater?
[00:38:19] You see that?
[00:38:21] See how you a bozo?
[00:38:25] You see how you a bozo look? How you a bozo look?
[00:38:33] Let's look at it together. Let's look at it as a family. No, no. We don't need no theme music. Let's look at as a family.
[00:38:40] What does that say?
[00:38:44] What does that video say?
[00:38:47] Hold on. Y' all ain't supposed to see the back end. Y' all ain't supposed to see the back end. Hold on. What does that say?
[00:38:54] West side Gun. Excuse me? Westside Gun doesn't get the respect he deserves for his greatness. Why?
[00:39:02] Who did that video? Me.
[00:39:07] I did. That Bozo calling me a hater. Where you at in the comments?
[00:39:19] So what you talking about?
[00:39:21] It's a bunch of comments. People telling me, oh, he a fake ghost face. He this, he that.
[00:39:27] So why?
[00:39:31] Why ain't you in there commenting?
[00:39:37] I show west side Gun love.
[00:39:41] Look.
[00:39:45] So what are you talking about?
[00:39:51] Please don't play with me.
[00:39:58] Please don't play.
[00:40:09] What is this? Oh. Oh, thank you.
[00:40:17] Watch this, watch this.
[00:40:27] Yeah. Where's. Where's. Where's. Mister, you been a hater. Hold on, hold on, hold on, hold on.
[00:40:34] I like this, too.
[00:40:39] Watch this.
[00:40:46] But Wavy Kid, always, always interviewing some Z List rapper. We don't know or care about who Benny the Butcher is. All right, Wavy Kid. So you don't care about who Benny the Butcher is? Maybe we care about you.
[00:41:02] I bet you. I bet you. You and your man's rap. And if I interview you and your man's, you'll be happy, right?
[00:41:10] Because everybody raps, huh? So in like three months from now, when everybody's talking about west side Gun, Conway and Benny the Butcher, come back and apologize.
[00:41:23] That's what I want you to do.
[00:41:25] Where my apologies at? This interview is from 2019.
[00:41:32] Where are my apologies?
[00:41:36] Where's my apologies?
[00:41:39] Where's my apologies? When I was bringing them up in 2019 and people were saying you only interview Z List rappers and nobodies. Where's my apologies at?
[00:41:51] Them people gone. You see how that works?
[00:41:54] Look where I was at.
[00:41:57] I ain't even have no background. None of that. I was in the bedroom, 2019.
[00:42:09] See how that works?
[00:42:14] See how that works?
[00:42:19] But they Won't come back and say, yo, you was right, yo, they all fire.
[00:42:24] They won't do that.
[00:42:26] They wait for B Dot list to come out, validating his list.
[00:42:34] So dudes either happy they on it or mad cause they not.
[00:42:40] But I give them credit, though.
[00:42:42] At least he talking about hip hop.
[00:42:46] Watch. This whole going to implode. I'm predicting it now.
[00:42:51] All this rap, hip hop.
[00:42:54] All y' all gonna be asked out.
[00:42:57] All y' all gonna be asked. I've been name some nuts. You. I already named names already. Get out of here. Y' all be coming for gossip. Name names for reference. I've been naming names forever, talking about everybody. I'm talking about you and your crew. Now, now, now that I think about it, all this gonna implode. All y' all rappers, y' all gonna be getting backdrops. Y' all gonna be trying to do what I do. Watch, watch.
[00:43:24] All y' all gonna be trying to do what I do.
[00:43:27] Watch, watch. You gonna see my. I start my podcast. Watch, watch, watch. You start seeing more rappers give commentary. Watch. You ain't gonna hear no music no more. You're gonna start. Hear, watch.
[00:43:48] Because they can't make no good records.
[00:43:53] They can't make no good records.
[00:43:56] You mean to tell me if you making records that's hitting millions of people, you gonna sit on YouTube talking about other. But then you scared to talk about certain dudes because you don't want to burn no bridges. And this person is a legend, so you can't say nothing about them. So just because somebody's a legend, we can't tell them stop. Wasn't Mike Tyson the legend. We want to see Mike Tyson box again. So you mean to tell me if it said rapper and they wash the up. Now we not allowed to say it because they a legend.
[00:44:25] Come on now.
[00:44:29] I like starting. When it come to hip hop, I like these conversations. I like when get mad.
[00:44:35] I like it.
[00:44:38] I like to talk about it. Talking about rap. We talking about boom Bap. We talking about hit records.
[00:44:46] None of y' all don't got no.
[00:44:49] Y' all got that. How you got 20 albums and you ain't got one?
[00:44:54] And you doing part 54 to this and part 62. And I'm doing this collab album, and this person is producing my album, and it's. And you ain't got one.
[00:45:05] You ain't got one.
[00:45:07] Just give me one.
[00:45:10] You ain't got one.
[00:45:13] Don't you understand that These don't got one.
[00:45:18] All you need is 1. 1. 1 record to Identify with you. Why do you have.
[00:45:30] Okay, why do these rappers. Because you think I'm talking about somebody pacific. I ain't talking about nobody pacific.
[00:45:40] I'm talking about the culture. All I see is these long catalogs. But they don't got no hit records. They don't even have a good record. That's why they don't do no shows.
[00:45:54] If you got a good song, don't people want to see you performing?
[00:46:02] So when you go hits a push by the industry, you're about to get to push the up out of here because you don't know what you're talking about. And a lot of y' all keep regurgitating the same.
[00:46:13] That's why you ain't.
[00:46:15] Hits are pushed by the industry. We make up the industry. So what are you talking about?
[00:46:21] The industry is the people.
[00:46:27] The music you like, was it pushed on you? You can't push nothing on nobody no more. We live in a poor world right now. We don't live in a push world. You can't push nothing on nobody.
[00:46:39] If you don't want it, you don't want it.
[00:46:43] We don't listen to terrestrial radio no more. We don't watch television.
[00:46:49] So what is this? It's pushed on you. Nothing is pushed on you. The minute you was able to go in your phone and find porn and spank your monkey when you felt like it, nothing is pushed on you.
[00:47:05] Y' all still running with that same old narrative. Oh, it's pushed on you? When? With the industry? No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
[00:47:16] High on hip hop media.
[00:47:18] Why you talking record sales, rapper hits and stuff? You got million videos and you're not big yet. So should I show you how many views I got high on hip hop media? Matter of fact, let's see what you got.
[00:47:30] Let's see what you got. Cause I already know what type of individual you are. Look at you. So you talking about what I got and what I don't got, right? And let's look at what you got and what you don't got. Why are you here talking about you high on hip hop media? And you must be a custody, and you started your channel last year. You ain't got near view and your dumb ass got your real name on there.
[00:47:54] You got your real name on there.
[00:47:57] And you talking to m.
[00:48:01] You talking to me.
[00:48:04] So let's review my history real quick because I'm not big yet. I ain't nothing right here. I ain't nothing. So let's see what I got.
[00:48:12] Let's see what I've obtained in this culture.
[00:48:16] Okay, what do I have?
[00:48:19] I got 53 million views on this particular channel. I got four of them and I erased a thousand videos. So. What are you talking about? Go play. Go play with your peers.
[00:48:33] Go play with your peers.
[00:48:37] You're high and you're high on some that nobody want but you. You ain't got near view frozen bagel 00.
[00:48:51] But you talk about what somebody is and ain't. And you can't even.
[00:48:55] You can't even match nothing.
[00:48:57] My niece and nephew got more views than you.
[00:49:00] My nephew is 8 and he got 200 subscribers. You ain't got nothing. You just a professional troll.
[00:49:06] Enough of you, though. We ain't even gonna comment on you no more.
[00:49:12] We ain't even gonna comment on you no more.
[00:49:16] And you name your favorite rapper. I call them right now. The audience know. My true audience know. So you a new jack, you new here? Or you just somebody who'll be in the shadows hating. That's why I be wanting to do these shows because it draws the haters out.
[00:49:32] Draws the haters out, the mad rappers.
[00:49:38] Draws them out.
[00:49:43] I know y' all be wanting to see that no jumper. Y' all be wanting to see. You know, y' all want to hear about Locked up and Rico's and all that, man, all that.
[00:49:54] He told my rap and talk about rap right now.
[00:50:00] Talking about catalogs and no hits. And let me say another thing.
[00:50:07] Let me say another thing.
[00:50:15] See, now you said Wesley Robinson. Hey, doggy, don't you spell my name wrong. Rock Marciano has a huge catalog, but would you say he has no hits? I'm a big fan. I'm a big Rock Marcy fan. And from Long Island. I'm biased. Now let me say something about him being that he was the creator of a genre.
[00:50:39] Being that he was a creator of his genre.
[00:50:44] He has many people that's following his blueprint.
[00:50:48] That's rock blueprint.
[00:50:50] All of these new rappers that rhyme to beats with no drums, that's rock.
[00:50:57] So he could claim all they records is his seriously, that calm voice talking pimp.
[00:51:09] Sometimes with no drums. Sometimes it's melodic, getting fly, talking that. That fly. That's rock.
[00:51:16] So he don't even.
[00:51:18] He don't even need. He's the father of a genre.
[00:51:22] So he is the hit. He's the blueprint.
[00:51:29] He's the blueprint because they sit back and watch what he going to do, and then they all follow him.
[00:51:38] So rock is is is 100 rock is 100 rock. Rock is 100.
[00:51:48] And he got good record.
[00:51:51] Listen, Greenery, why you keep worrying about names, you bum ass? I already said names.
[00:52:03] I'm not scared of nothing.
[00:52:05] You scared to say names? Why? Let me look at your channel, too. Because I'm on one tonight. Y' all got me hype another Nick scared to say names.
[00:52:24] You don't know me that well. Look, another just here to troll people scared to say names.
[00:52:37] Who do you think I would be scared of? No, just. Just serious. Just be honest. Who would I be scared of in this whole culture?
[00:52:44] Done been from north, south, east, west, from the roughest places.
[00:52:51] Been out there. You never heard about me getting smacked, robbed, camera taken, disrespected. Why would I be scared? And I'm talking to a camera and I've been in face.
[00:53:05] What's wrong with you?
[00:53:07] I never talk that scary business to me.
[00:53:12] You just want me to say a name so you could go clip it and say Doggy Dimes is talking about you because you want somebody to get beat the up and it ain't gonna be me.
[00:53:25] Like I say, when I. And. And see, I. I'm. At least I can say for Red, man, I don't like Muddy Waters, too, but he got hits.
[00:53:35] I don't like Dr. Dre and Snoop. Y' all don't like that neither.
[00:53:40] Y' all not playing that, so. All right, let me give you another one. If these artists got hit songs or good songs, let's take hit away because hit is giving them too much, too much pressure.
[00:53:59] If they got good songs, why do you not play it after a while, let's really think about it.
[00:54:13] All right, let's say one right now. I give you this.
[00:54:24] Nobody will pull up on me because they know I punch them in their face.
[00:54:29] Are you stupid?
[00:54:32] Are you dumb? They know better.
[00:54:38] Nobody care about what I say. Enough. Okay? You think that.
[00:54:42] Yeah, just get up out of here. So, all right, let's say this. Let's do this for argument's sake. Okay, I give y' all one, and then we'll go from here.
[00:54:54] We'll go from here.
[00:54:58] He could rap, did collab albums, probably could get production from anybody.
[00:55:11] Co signed by the biggest rapper, lyrical rapper in hip hop history.
[00:55:20] Give me one song that's a hit song that you gonna play forever by Davies.
[00:55:29] I'll wait.
[00:55:33] Give me one.
[00:55:36] He could rap, but you got people who could rap, but you got people who could make dope songs.
[00:55:50] Give me one.
[00:56:29] See how that works?
[00:56:33] Can he rap?
[00:56:36] He could rap.
[00:56:39] Does he sound dope? Yeah. Does he get the push?
[00:56:43] Yeah. Did he get the cosign? Yes. Is he not on your television? Is he not viral? A lot of times, yes. But just give me. Just give me one song. Now, you know the names of the projects, right?
[00:56:58] But give me that one song that you gonna play forever.
[00:57:04] I'll wait.
[00:57:17] See how that works.
[00:57:23] See how that works?
[00:57:26] Playing Method Man.
[00:57:30] Playing nothing, man. Playing Method man and getting co signed by Nas.
[00:57:43] See how that works?
[00:57:48] So a lot of times when dudes be having all these projects, collab projects, you don't know nothing.
[00:58:00] You just say, you just know them and be like, yo, he fire based off what?
[00:58:14] So let's take.
[00:58:16] Let's take.
[00:58:19] Let's take hits out of it. Because I think y' all hits. When I say hits, y' all be thinking I'm talking about, like, Laffy Taffy and like that underground hits.
[00:58:31] So let's take a record like Bucktown by Smith and Wesson.
[00:58:41] You still gonna hear stop throwing rocks and hide in your hands, bro?
[00:58:49] Shut up.
[00:58:51] I'm throwing rocks and hiding my hands. If I just said names, how is that throwing rocks? You know, with throwing rocks and hiding, you another dude who does not from the street, Never been in the street, and you hear little slogans and cliches, and you just start running with it. Stop throwing rocks and hiding your hands.
[00:59:14] You see that?
[00:59:16] Could somebody tell him with throwing rocks and hiding your hands mean that he's using it erroneously?
[00:59:26] That's not what throwing rocks and hiding your hands is.
[00:59:32] Stop throwing rocks and hiding your hands, bro.
[00:59:39] Well, are we going to talk about upstate? Could we keep it real? If it wasn't for upstate, we'd be in trouble. New York. I say that if it wasn't for upstate, we'd be in trouble because the dudes upstate was at least doing boom back.
[00:59:59] They was doing boom bat. They wasn't making no club records. They wasn't making no getting jiggy records. They wasn't making no strip club music. The dudes upstate was rapping bars.
[01:00:10] Bars with beats. Boom bat beats. Straight like that.
[01:00:17] Dudes in New York City was doing drill or trying to make club records.
[01:00:22] Straight like that. Trying to make strip club records or trying to make club songs to get played in the clubs. So if it wasn't for the upstate dudes, New York would be in trouble right now. If it wasn't for. If it wasn't for Syracuse, Rochester, Buffalo, we'd be in trouble.
[01:00:47] So get out of here.
[01:00:50] All these dudes in New York was trying to make club records.
[01:00:59] Well, I ain't throwing rocks. And harder hiding my hands.
[01:01:04] Mount Vernon ain't upstate.
[01:01:06] Well, maybe it could be.
[01:01:11] Upstate dudes is putting their own music out, putting bags behind they. Yeah, Mount Vernon ain't upstate, first of all. Now Griselda is boom back. You never heard the cow.
[01:01:37] You can't really say Davies is better than west side Gun. You can't say that.
[01:01:43] You can't. You listen.
[01:01:47] Well, let me. Let me do that. Let me do that.
[01:01:52] Let me do that.
[01:01:56] Let me say this.
[01:01:58] Your preference is your preference.
[01:02:01] So I don't want to say that one is better than the other, because whatever you think is whatever you think. So I'm not going to do that.
[01:02:09] Beasley. See, Beasley does what everybody was.
[01:02:12] Hold on.
[01:02:25] Was doing. Drill.
[01:02:29] They was doing boom back.
[01:02:32] Bringing the genre back.
[01:02:35] That's what New York is known for. Boom back.
[01:02:38] Not strip clubs and bring the bottles and all that.
[01:02:46] I like Davies more than Westside Gun.
[01:02:49] Shout out. I don't want y' all to think I'm dissing Davies, though. I interviewed Davies. Davies was cool. But I'm just saying, we talking hip hop right now.
[01:02:57] They not even.
[01:02:59] They not even in the same league. But west side Gun, who you think brought You Benny and Conway?
[01:03:17] What y' all talking about?
[01:03:19] Who Davies put out?
[01:03:29] Who Davies put out?
[01:03:40] Yo, but y' all saying.
[01:03:42] Y' all saying he could out ball him?
[01:03:48] Nah. Y' all capping right now? No, we. We going. You know what? Good. I'm glad. But you know what, though?
[01:03:56] Look, we gonna start this on. On X or. Or something.
[01:04:04] We saying y' all like Davies better than west side. That's what y' all saying.
[01:04:15] Y' all serious?
[01:04:18] Nah.
[01:04:24] And truthfully, let me keep it 100 with y' all.
[01:04:29] My favorite is 38 Special.
[01:04:31] Out of all of them, 38 Special is my favorite.
[01:04:36] 38 Special is my favorite.
[01:04:40] 38 special is. Is the best one out of. Nobody. Ain't with his pen.
[01:04:46] Nobody.
[01:04:48] So let's not leave him out of the conversation.
[01:04:53] 38 special is better than all of them, so let's not. Let's not leave him out the conversation.
[01:05:00] Straight up on a production and the raps.
[01:05:05] Let's not get. Let's not. Let's not get a little ahead of ourselves. Special is better than anybody.
[01:05:12] Let's not. Let's not get ahead of ourselves.
[01:05:18] Get out of here. Look, Conway. Conway.
[01:05:23] Out of the. Out of the Griselda, I give it to Conway. But out of upstate. Nah, that's 38 special.
[01:05:34] That's special.
[01:05:36] I even like Etho too.
[01:05:41] Etho was Fire, too Rant. But see, Ransom is. Is from here. Ransom is from. From Jersey. Ransom. Ransom been doing that.
[01:05:55] I think Ram don't really get a lot of his credit, but he been doing that, man.
[01:06:05] Roam Streets. He from the town.
[01:06:10] Hold on, man. So y' all gonna make me digging this phone to get stupid?
[01:06:20] I interviewed Rome Streets when he did the album with mugs. I wasn't checking for him.
[01:06:26] Hold on, man.
[01:06:42] Oh, I ain't got his new math.
[01:06:47] Now, I'm gonna be real with y' all to see. Now, I ain't gonna do that. I ain't gonna do that.
[01:07:01] Y' all like Stove God?
[01:07:07] He could rap, but I don't like his music.
[01:07:13] That's just me being an. I just.
[01:07:18] I, I. You know. All right, let me tell y' all why. Let me tell y' all why. I don't like Stove God. But I understand it. See, this is what I. This is what I. This is what I learned.
[01:07:33] Stove Guard is Aaron Cooks, right?
[01:07:40] Aaron Cooks was supposed to be a conscious rapper, from what I heard. He's supposed to come out building. That's why, if you look at his first song, this had chakras. He was sitting there doing this and rapping about what he was rapping about.
[01:08:01] But it's supply and demand, and I think people wasn't buying into that.
[01:08:09] So he just turned into the drug dealer.
[01:08:17] Dawson Rick said his girl never heard of west side. Yo, you asked your girl.
[01:08:22] That's kind of like. All right, Dawson Rick, respectfully, you ask your girl have she ever heard of another Skin Rick. It's all love. But you asked your girl if she ever heard of another.
[01:08:40] I don't know about that one.
[01:08:42] You're going too far with that one. Hold on, hold on.
[01:08:50] See, look, y' all killing this stove Gar. This is who I remember.
[01:09:07] Aaron Cooks, he's with Lord Jamal.
[01:09:17] That's what I remember.
[01:09:27] Then he became Stove Guard.
[01:09:33] But you know, he not going to be with Lord Jamal talking about hustling and selling drugs and all that.
[01:09:44] That's what I remember.
[01:09:47] So when he was that, I was with it.
[01:09:53] Then he became Stove Guard.
[01:09:59] Y' all ain't know that.
[01:10:02] Y' all didn't know that.
[01:10:08] But, see, always questioning me.
[01:10:11] But one thing I know is this damn culture.
[01:10:18] I know the culture. I know the artists. I know all of this.
[01:10:28] So, see, Willie, the kid is not new, though.
[01:10:37] Y' all didn't know that about Stove God.
[01:10:41] Y' all really didn't know that. See, now I gotta start questioning some of y' all. Cause I think some of y' all are fair weather people, too.
[01:10:49] I think y' all knew Jax. Look, this is seven years ago. Vlad TV freestyle. Remember he was messing with Vlad. Lord Jamal. That is.
[01:10:58] So he gonna hook his man up Friday freestyle. Look, nine years ago. Lord Jamal watches on as Tori and Aaron Cooks heats things up. This is nine years ago. Y' all thought he was new.
[01:11:12] That means the first God Cast freestyle session. Aaron Cooks.
[01:11:20] Look how long ago that was.
[01:11:22] Lord Jamal producing and building on his artist, Aaron Cooks. Look how long ago that was.
[01:11:29] So what I give him credit for is rebranding himself.
[01:11:36] Because if he rebranded himself and y' all think he a new. He did a great job.
[01:11:45] Did a great job.
[01:11:49] So could he rap? Yo, he could rap.
[01:11:53] But when he started rapping about drugs, it kind of lost me.
[01:11:59] You kind of lost me.
[01:12:04] Come on. I got Willie the Kid interview on Forbes when him and. And a lot of dark man was running together.
[01:12:14] A lot of dark man and Willie the Kid. You did mad tapes together.
[01:12:21] He did a great job of rebranding himself because y' all think he a new.
[01:12:28] That was old.
[01:12:31] You know what I'm saying?
[01:12:35] So anyway.
[01:12:41] But you know what, though?
[01:12:43] Love it or hate it, sometimes we gotta talk good old hip hop.
[01:12:51] Hold on, man.
[01:12:54] Cause y' all got me tight right now. I gotta start making some calls.
[01:13:04] What the hell, Sam?
[01:13:54] Come on here now.
[01:14:13] He ain't answer. He'll call me back.
[01:14:16] All right, y' all, Time for me to get up out of here.
[01:14:22] Until next time, y' all. Enjoy the rest of y' all night.
[01:14:30] Why call me a piece of crap?
[01:14:32] Why say me?
[01:14:39] Yo, man. All right, I'm ready to get back into interview mode, too, man. I got some dropping.
[01:14:44] Don't worry about it. I got some.
[01:14:49] Y' all gotta put me on to the Russell. I don't know nothing about the Russell. The best way to contact me is on Twitter, tweet me stuff. I like Twitter.
[01:15:00] If I could give y' all a jewel.
[01:15:03] If I could give you a jewel, get on X.
[01:15:09] Not.
[01:15:11] All right, let me just say this before I go.
[01:15:13] Many people got off X when the situation took place with believing that Elon bought X and he was pro Trump and all that. People left X.
[01:15:23] Somebody said the Russell trash. Come on, comrade camp, why you gonna do that?
[01:15:29] You heard of the Russell? The Russell trash. But no, but I want to say this.
[01:15:37] You have certain social media outlets that's going to give you a click Through X is going to give you a click through.
[01:15:53] Threads that give you a click through. And what do I mean by click through?
[01:15:56] Meaning that you can post a hyperlink and people could click it. Y' all love Instagram. But then you got to tell people to go to your bio or your stories. You think people really doing that.
[01:16:10] But when you're dealing with X, all people have to do is click what you tweet.
[01:16:20] Facebook, people look at your wall, won't click it.
[01:16:26] People look at your wall and won't click it.
[01:16:31] But X, it could be have a hyperlink. But many of you ran from X because you got caught up in political stuff. But if you're an artist, then you need some of these platforms because that is your free work. And stop getting caught up in who how many followers somebody got. Because it's not how many followers you got is who's following you.
[01:16:56] So you only need a hundred strong people opposed to 20,000 people who's not watching you.
[01:17:06] Once y' all stop getting caught up in these numbers, then y' all gonna be I.
[01:17:12] That's why I say quality over quantity. People dropping all these albums, but not making no quality songs.
[01:17:22] That's the point. It goes like that for social media, everything. People dropping all this, all this, and you don't know nothing.
[01:17:32] So you can have all these followers. But look who's following you. Makes a difference. It might be tastemakers, it might be DJs, it might be True Blue supporters. But you saying this person got this amount and then you thinking they gonna sell this and say that. Because look at they following. Well, at the end of it all, you might have people who follow them for different reasons. You might have people who follow them because they want to see them, but they don't want to hear them.
[01:18:03] You might have people who like your pictures, but they don't want to hear your music. You might have people who like to man, just get you up out of here.
[01:18:14] Because some of y' all just be.
[01:18:17] Some of y' all just saying, you know, upstairs. I don't know what's going on upstairs. It's like you shaking. You just hear rocks and get what I'm saying. But that's a jewel I'm gonna give you. You know, you ain't got to listen to me. Keep, listen, listen to these other dudes. They ain't gonna give you. But I know why you love the devil. I know why you love the devil, because he gives you nothing.
