Episode Transcript
[00:00:00] There we go.
[00:00:03] And don't think I ran out to buy Knicks hat. I looked at my, my closet, and if y' all know my closet, y' all know I got about 90 snapbacks in there. So I looked in there, I didn't even know I had the Knicks joint. I said, oh, I got a Knicks hat, I got a Nets hat. I got everything in there. But I wear like the same five hats because, you know, I don't, I, I don't really be trying to show off when it comes to, I think sometimes when dudes be too fashionable, it'd be, it's cool to be fly, and it's cool to, you know, be coordinated and nice, but sometimes dudes be taking it, be looking a little feminine now, you know what I'm saying? Dudes be doing too much. Like, I don't know, men, we supposed to be clean, we supposed to smell clean, look nice. But the way dudes be taking it now, a little bit, it'd be a little too feminine now to me. So I won't be trying to od.
[00:01:01] But I'm a dude that got a lot of clothes, mad sneakers and all that. But that's when you going to do you. I, I don't feel like you should get dressed to be around a lot of men so we could be sitting there looking at each other like, oh, look, his son got on. I, I don't know. I, I think that it used to be a particular time when men got dressed to impress women. Like, you know, you get your face cleaned up, you know, you have on a nice outfit, you get your hair cut. For women now it'd be seeming like dudes be doing it for other men. I, I, I don't know.
[00:01:36] I don't know. I, I don't really want no compliment from dudes and just keep it real with you.
[00:01:42] I don't want no compliments from dudes. Don't don't compliment me.
[00:01:46] Not in this day and time, because they do mess that up.
[00:01:50] Men, you don't, you don't know, be complimenting you. You'd be like, yo, what you mean by that?
[00:01:55] You know what I'm saying? Like, it's like even me testing out, like, if I post a picture on Instagram, it's the, that be just comment and they just won't like and say, yo, what's up? That's what's up, my bro home. They be like, smile, or you look like, it's like, yo, whoa, whoa, whoa, whoa, whoa, whoa.
[00:02:17] I don't want no man Comment. Not that I'm doing it for women either, but God damn, y' all dudes be.
[00:02:26] I ain't with it. Don't come at me with that. I. I'm not with it in the least little bit, but get the likes up, too. Get the likes up. I need y' all to hit that, like, and hype the video as well.
[00:02:42] So I. I wanted to talk about something tonight because, you know, you know, we can always talk about sensationalized things that's going on in the culture. You know, this happened with this person that maybe I should do that all the time. But sometimes I don't want to. Sometimes I like to talk about what the hell, I want to talk about things. That's relative culturally to me, too. So, you know, when I'm not on here, I'm working on stuff and I'm doing what I'm doing, but I like to look at the landscape of the culture, and whether we like it or not, we all make up the culture, right? We make up as people who listen, as people who create. You know, many of you are creators in my chat.
[00:03:25] Whether you have your own YouTube, whether you rap, whether you.
[00:03:32] Whether you rap, whether you do anything, You are creators.
[00:03:42] So we make up the culture.
[00:03:49] And I feel like I look at the landscape of the cultures, the culture.
[00:04:01] I can't say that I really like where it's at in a real. Whatever your name is.
[00:04:07] That's your opinion. You didn't even hear what I have to say. But, you know, no, no, no rap podcasts or not, and never will be gatekeepers. Okay, Just wait for me to talk, and then you could give your opinion if you so choose. And I prefer you to put it in a super chat, so then it'll come up on the screen and I'll read it, because the super chat is open and the Cash app is open. And besides what other people say on their platform. I accept donations. I accept super chats.
[00:04:39] Money means a lot to me because money is what keeps the light on, the lights on. And crowdfunding is a thing. So when people be trying to shame people, saying niggas is begging and all that shit. Say what you want.
[00:04:55] Say what you want.
[00:05:00] They are interviewers. You talking to the interviewer, the originator of the interviewers.
[00:05:05] How could they be interviewers when I was interviewing all of them when they wasn't interviewers?
[00:05:10] How are they interviewers?
[00:05:12] So you think everybody with a podcast is an interviewer?
[00:05:16] What the. Is an interviewer, and you talking to the head starter of the interviewers? About what an interviewer is.
[00:05:23] This is what I'm talking about. But it's people like you who talk and don't know what the I wish you knew what the you was talking about. They're not interviewers. Everybody with a podcast does not interview and interview who.
[00:05:39] This is what I'm talking about. Who do they interview?
[00:05:44] This is what I'm talking about. If you don't interview new people, if you're not interviewing introducing new people to the go to the culture. You, you are gatekeeping.
[00:05:56] I interviewed all them. I introduced them.
[00:06:01] A lot of dudes wasn't popping when I was interviewing them. Did you not hear Tony yo say yo, we had to go to Forbes, we had to go to Doggy Diamonds.
[00:06:10] Did you not hear him say that?
[00:06:13] So if I gave them the opportunity because I have a big outlet, why they not giving nobody else an opportunity? They. That's what I'm here to talk about tonight.
[00:06:24] Because they can only talk about each other. But so much. They don't give you game. They don't tell you about contracts, they don't tell you about negotiation. They do not tell you about royalties, points, publishing. They don't tell you about bad deals. They don't tell you anything about the culture. To help the new people trying to get in the culture. They talk about how much could dudes talk about each other. That's for one, for two. If nobody is making music, what is there to talk about in music? That the fact that asap Rocky had a thong on dudes is talking about Diddy Jump off, Jay Z, Afro.
[00:07:04] That's hip hop talk.
[00:07:08] That's hip hop talk.
[00:07:12] And I'm not talking about the veterans, the, the, the, the, the Vlad, the other people. I'm not talking about any of those individuals. I'm talking about people who came into the culture later on as rappers.
[00:07:28] As rappers. And now they don't talk about anything. That's good information for the new people that's coming in the culture.
[00:07:39] That's who I'm talking to.
[00:07:43] Like how when people wanted to do YouTube, they might come to me and consult with me and I say, yo, you got to do this with your channel. You got to do this, that and the third. So a basketball player, let's say a Richard Jefferson, let's say even KG and Paul Pierce, they talk basketball. I watch Gill's arena a lot, right? Gill's arena would be like, yo, they trapped. They had the one and four.
[00:08:11] Now if you are a basketball player, you understand what they're saying because they're talking basketball to the basketball audience and other basketball players. So when they go on the board and they draw up stuff. Look right here, he trapped. When they go to that board and they did, that's what artists are supposed to be doing.
[00:08:34] What artists on what platform that have a podcast.
[00:08:42] Schooled you to what a 360 deal is, What artists on what podcast told you what mechanical royalties was, Who told you what points is, who told you what recouping is, Who told you about. When you sign the deal, you don't get the money.
[00:09:18] So when they say, I signed a million dollar deal, you think you got a million dollars? They don't tell you no, you have a million dollars that's in escrow for your project.
[00:09:30] Everything you do gets invoiced to that account. And then they have to pay it. They don't tell you that. Why the fuck I got to teach you that?
[00:09:40] Well, I got to show you these things, but y' all always looking to them as the saviors and they show lit when they talking about bullshit in your artists. Many of you who watching me are artists right now. You need to know these things. So if they all interviewing each other, then they all hanging with each other. And him interviewing him, that's interviewing her, that's interviewing him.
[00:10:02] How does that help you? How do you learn? How do you get anything when you're seeing each other, when you seeing dudes interview each other, that ain't giving you no game that you need. So they want you to go through the pitfalls that they went through. Aren't we as be people who are veterans that went through? It isn't our job to stop the other people from going through what we went through.
[00:10:27] When I lost my channel, I got demonetized. Did I not make a video how to not get your channel taken? And I went through a step by step showing you do this, do this, and don't do that. I seen Easy to block Captain. I seen another brother, I can't really think of his name, and another female, all got their channel taken the same way I got mine taken.
[00:10:52] I put the information out there. It's not even behind the paywall.
[00:10:57] It was out there for free.
[00:10:59] Because I don't want y' all to get your channel taken. I don't want one thing about me whether I like you or I don't like you.
[00:11:08] I'm not into taking food out of nobody's mouth whether I like you or I don't like you. It ain't my call whether people support you or Feed you or not. That's between you and the people.
[00:11:22] I might say, listen, I don't rock with said person. I'm not cool with said person. So if you support them, support them because you want them, because you want to. Don't support them because you think you're doing me a favor. I do say things like that, but I can name the artists that you never saw before that you saw with me first.
[00:11:45] I can name them.
[00:11:49] I did. Dave east, first ever interview. Cortez, first ever interview. Fetty Wap. You didn't know who these people was, but I heard them, and I was like, okay, bring them on.
[00:12:01] When y' all was telling me I was interviewing nobodies, everybody started out as a nobody.
[00:12:10] That don't mean they deserve a chance. And it. If. If we going to be in a situation where these people feel like, yo, to be on my platform, you got to pay me X amount of dollars. Say that.
[00:12:24] But everybody started at zero. Everybody. None of us was born with a silver spoon in our mouth. None of us was born.
[00:12:33] That came into the culture with, with, with. With this, that, and the third. Everybody started at zero.
[00:12:41] Everybody.
[00:12:46] So when people hit me on the dm, yo, how do you. Yo, you got to do this, this, that, and the third. I'm not here to say, oh, I don't want this channel to make bread, or this channel shouldn't get this and all that. Who. I don't. I don't recall that. I forgot I interviewed Cyrac. I see. I did so much. This is my 20th year on YouTube. I forgot I interviewed all of these people. I really forgot. Thank you for reminding me. I forgot I interviewed Cyrak. I forgot.
[00:13:16] I completely forgot. I think that was 2017, or that might have been Forbes day. So that might have been before that. I forgot.
[00:13:28] And I was getting dissed for that.
[00:13:31] Oh, you interview nobodies.
[00:13:33] Everybody started out as a nobody. If you look at my story, one day, somebody was like, yo, we don't care about Benny the Butcher or these Z List rappers. And I said, well, in three months, I want you to come back and apologize.
[00:13:54] Where's my apology?
[00:13:56] Everybody start out as a nobody. Everybody starting out just wanting a chance and they voice to be heard. I like the up and coming rappers more than I establish the more than I like the established rappers. Because once the rappers get established, they get stingy. You know what it's like to want to be heard. You know what it's like? That's why I charge only a hundred dollars for promotion. Yo, I have Very, very large numbers. Almost all. All of my platforms, everything. I charge $100 because it's not really about the money. But I got to take something off you. Because if you're going to take money, you and go smoke and drink and bullshit, you could put money into your career. So it's only a buck. That's why I only charge $100.
[00:14:43] I know some content creators that charge you $500 to put the shit in a story for an hour, and people are paying it. But sometimes I say, damn, am I not charging enough? That's making people think it ain't worth nothing?
[00:15:00] Am I shortchanging myself?
[00:15:02] But I'm like, no, I believe that everybody should get a shot. And then when I put up stuff, I never be like this for y' all to decide. People hit me and say, will this fit your platform? Everything fits my platform because it's. It's up to the people to decide whether they like something or not. It's not up to me.
[00:15:23] I don't make that call.
[00:15:27] I don't make that call.
[00:15:30] But if you watching these guys and shout out to everybody who got out outlet, right? Because I'm not singling nobody out.
[00:15:43] I'm not mad at nobody for what they do.
[00:15:46] But I'm just saying, what happened to the music? Because if you. All right, let's. Let's look at this, right?
[00:15:54] So if said rapper has a platform, right, and they want to talk about music, are they actively still doing music most of the time? No.
[00:16:10] So who is there to talk about.
[00:16:13] If we not talking about the. The new people doing music? Even if it only have to be a new rapper, either it could be somebody that's a veteran, that been in the culture, that's still doing a thing. You have artists like Terminology, whether you like them or not, got 60 albums.
[00:16:34] Terminology has 60 albums.
[00:16:38] 60.
[00:16:42] Which one of these outlets have he been on?
[00:16:47] Because I interviewed him before.
[00:16:53] So as podcasters, our thing is to talk about Diddy's, Me, Jay z's afro.
[00:17:13] They was talking about Jay Z's Afro more than it was the freestyle.
[00:17:22] Rick Ross was in commercial.
[00:17:30] That's hip hop.
[00:17:33] So to me, in my opinion, that's why the music is suffering, because it's not enough music talk. And it is. It is outlets that want to talk about music.
[00:17:50] But then people talk about the music and then nobody watches it.
[00:17:56] You see how concerned they was with diddy.
[00:18:00] Even. Even 50 BM got mad.
[00:18:11] I didn't watch that tape.
[00:18:16] I didn't watch that. I don't know what happened on that tape? I didn't look for it. I didn't watch it, didn't do it.
[00:18:26] But she got mad press.
[00:18:32] So you got the. The little bit of websites that's left, the. That's reporting all of that.
[00:18:38] You got the bloggers, because there's no such thing as a blogger, right? Because when you get on camera, it's called a vlog.
[00:18:47] But people keep calling themselves bloggers. And I'm gonna say again, blogging is written. Vlogging is video. That's what the V is for.
[00:18:56] Vlog.
[00:18:58] Vlog is video blogs.
[00:19:03] Now let's take it to battle rap.
[00:19:08] There's no fucking battles no more.
[00:19:11] So now the battle rappers are vlogging and doing videos. What are they talking about? There's no battles.
[00:19:22] All they're talking about is how battle rap is dead when they're responsible for killing it.
[00:19:30] There is no battles. Who's battling?
[00:19:34] So why is it a million battle rap podcasts if there's no battles?
[00:19:43] What exactly are y' all talking about? Because even when they get battles, they don't promote the battle.
[00:19:49] Oh, I didn't get paid for promotion.
[00:19:52] So look what happened to battle rap.
[00:19:58] And as much music is coming out by people, we seem to only talk about people that are mainstream and that have this big buzz, so would be draped out Kendrick this and all that. I'm like, yo, y' all don't get tired of talking about this day in and day out. That's why I don't go live every night. That's why I don't do content. Sometimes I'll be like, yo, is we talking about anymore?
[00:20:24] There's really nothing to talk about.
[00:20:26] There really isn't.
[00:20:30] So that's why dudes start in for Chico Low. Exactly. That's why dudes start attacking me.
[00:20:40] That's why dudes start talking about other people with YouTubes because you don't got no content. I don't have to talk about nobody with a YouTube because I thought you. Once we get on this side, is this side against that side.
[00:20:57] We are the people who talk about the people who create, and we big up their creations and say what we like and dislike and. And put it to the fans. But then nobody's creating no more.
[00:21:11] Nobody's creating. Who's creating. And then the creators who are creating are getting overshadowed by. By the people who don't create that. Talk about nothing.
[00:21:23] Because if y' all want to play grab ass and talk about your old times and. And please, some of y' all dudes who've been in the culture for 30 years and all you talk about is your yesteryear and which I used to do, and y' all part of these main groups. And now y' all is looking washed and set. Please cut it out, cut it out, cut it out.
[00:21:48] We don't need y' all sitting up there talking about some yesterday like y' all still got it the way y' all had it. Because a lot of y' all don't.
[00:22:00] And I don't care what camp you from.
[00:22:03] This is not 1997 no more. This is not 1995. You got a lot of people bust their ass creating YouTubes, creating content creators, creating music, and they get overheard and overshadowed by old bullshit ass stories that don't matter no more. Once you start losing your teeth and you start walking decrepit around and your belly is big. You need to tap the fuck out and pass it to somebody who's really, really care about their health, care about they looks and care about the culture. Stop holding on to shit and you washed, it's over.
[00:22:41] Because truthfully, a lot of these dudes don't put nobody on and don't help nobody because they still trying to hold it for theyself. And Jay Z get all the blame and nobody else is putting nobody on either. But we blame hold for everything.
[00:22:57] It's Jay Z fold. Roc Nation did it. What about all these other that don't put nobody else on and don't put nobody else out?
[00:23:08] What about them?
[00:23:14] Where's all the Queens rappers?
[00:23:17] Where's the new Brooklyn rappers?
[00:23:21] Where's the new Bronx rappers?
[00:23:27] Where's the new Harlem?
[00:23:30] Where's the Staten Island?
[00:23:33] Where's the Li.
[00:23:35] Where the Yonkers do that dudes?
[00:23:39] So we still holding people in high regards for what they did 30 years ago. What about the people who's busting they ass now?
[00:23:50] That's all I'm saying.
[00:23:52] And if you're not gonna rap no more and you're gonna become a podcaster, then talk to the new rappers.
[00:24:03] Do for them what I did for you.
[00:24:06] Because when I do it. Oh, he always interviewing nobodies or who the is this? Nobody want to hear from this dude. We only want to see this, that and that yo, and that's what messed it up. And the DJ has completely got erased out the culture.
[00:24:25] The DJ has completely got erased. You said crickets.
[00:24:35] The DJ has completely got erased from the culture.
[00:24:41] So if everybody is talking, what the is niggas talking about? If there is no music in the music that's being Made people feel like they don't have to talk about it because they're not big enough. Your numbers ain't no when. How are they supposed to get that then? And again, I'm saying if you are jaundice. I appreciate that. If you are a platform that charge, tell the people you charge.
[00:25:14] Somebody might yo listen to get on this show. I charge this.
[00:25:18] People might have to pay it because believe it or not, I know everybody secrets with the DVDs. Just wasn't getting on DVDs.
[00:25:31] Was paying seven, eight thousand dollars to get on them DVDs. I know, but for the culture to move forward, we need more youtubes with guys that are trying to push the culture forward. Because we'll just ignore dudes.
[00:25:52] We'll just ignore dudes in New York rappers. Can I talk to y' all real quick? The next one.
[00:26:01] I know this is. This is gonna hurt.
[00:26:08] I know nobody want to hear.
[00:26:16] I don't know who started to trend.
[00:26:20] I can't put my finger on it, but there's a trend.
[00:26:26] And I don't really want to blame New York, but that's all I really see doing it. Other people might be doing it, but of course I'm gonna know my. I'm gonna know my region before I know any other region.
[00:26:35] There's a trend of re doing music.
[00:26:44] If a song was a classic, leave the fucking classic alone.
[00:26:55] You hear what I said?
[00:26:57] If a song was a classic, leave the classic song alone. Because all y' all doing is shit up.
[00:27:09] If you're not going to do that classic justice, leave this shit alone.
[00:27:19] We don't want to hear no classic shit with no drill drums on it with you taking the original beat and putting it. We don't want to hear y' all doing the song over and changing the lyrics around a little bit. Yo, leave the alone, man. It sounds bad, it's horrible.
[00:27:37] And I don't even know how I make it out the studio. As an artist, when you create, your job is to create new classics, make new history.
[00:27:53] Is corny, man. To me. I don't know. Maybe I like it now. If you take an old beat, flip it, and do something, fine. But why would you do a song over that we love and it's not better than the original? Rarely is it ever better than the original.
[00:28:13] That is stupid.
[00:28:16] If you flip a beat, fine.
[00:28:20] But just doing the same over.
[00:28:23] Come on, man.
[00:28:26] This is corny. And it's New York. It's the. It's the new dudes, the middle dudes, and even the.
[00:28:34] The The. The. The veterans, like, y'. All. Don't. Y' all forgot what creativity was. You forgot that. You go in the studio, you want to hear the best beat, and you want to write your best rap to the best beat. You don't want to go in there and be like, yo, man, give me that.
[00:28:51] Leaders in the New School scenario, I'm about to kill that joint. And you start.
[00:28:56] And you start like this.
[00:28:58] As I combine all the juice from my mind, hit it, bring it back home, rewind.
[00:29:03] What make you think we want to hear that shit? We'll just listen to the original.
[00:29:09] And then you got these offbeat, stupid drums and all these high hats everywhere, and you doing that shit over.
[00:29:16] We don't want to hear that shit. Y' all fucking it up. I'm telling you, you're ruining classic records.
[00:29:23] You're ruining it.
[00:29:25] Ruining it.
[00:29:28] Leave the original fucking record alone.
[00:29:32] Shit is dope. It is your job to create a classic on your own.
[00:29:41] One thing I learned from Dougie Fresh.
[00:29:46] Dougie Fresh said it only take one record to change your life forever.
[00:29:51] Your one record ain't gonna be that record over.
[00:29:56] It ain't gonna be, because we just gonna go to the original.
[00:30:01] And if you're a veteran artist, what happened to biting?
[00:30:08] You know, it was a particular point in the culture. There was no biting.
[00:30:14] Now y' all just biting. Like. Like, literally just. Just biting.
[00:30:20] That was a big thing in the culture. Oh, that had on that. I ain't wearing that.
[00:30:25] Well, the did this. I can't do that. Why? Cause he just did it.
[00:30:31] He beat me to the punch. Damn. That was. I was gonna come out with that. Now is like, he did it.
[00:30:37] Imma do it, too.
[00:30:38] That's not how that worked, man.
[00:30:42] As a creative person, I see somebody do some, and I'd be like, yo, I don't want to do that now. Why? Cause he did. They gonna think I'm biting.
[00:30:53] I mean, am I too.
[00:30:55] Am I too hip hop thinking like that?
[00:30:59] It's just bite. Is biting allowed now? Should everybody just bite? Should everybody just be like, yo, let's just bite it?
[00:31:10] Get what I'm saying? There is no biting in hip hop. That's like one of the. The earliest taboo things in hip hop is no biting.
[00:31:24] Even when artists go on press runs, sometimes I be in a press run, and I'd be like, I don't want to do no press run.
[00:31:34] I don't want to do that.
[00:31:39] I don't want to see a person on 800 platforms. And then, you know, because think about this, right?
[00:31:47] And I'm not singling him out, but I'm just giving you an example.
[00:31:53] To me, Large professor could be, in some people's opinion, top five.
[00:32:04] It varies with me.
[00:32:07] Maybe my top three, top four doesn't switch. When we start getting five on, it might switch.
[00:32:15] Of course, number one to me is Pete Rock or Molly, depending on what time. But Large professor is up there, right? He's up there, but we got the same. You know, we gonna say Pete Primo, Dilla.
[00:32:36] But then I'm going to have my personal favorites when I start saying Easy Mo B Buck Wild, my brother.
[00:32:44] You get what I'm saying?
[00:32:46] None of them made beats like each other.
[00:32:48] That's why they are up there.
[00:32:51] That's why we look at them as where they at, because they didn't bite each other.
[00:32:57] Premier and Pete Rock used the same sample a few times. Let It All Hang out by Adore.
[00:33:04] That's a gangstar song.
[00:33:06] If y' all listen to my Easy Mo B interview, which many people didn't.
[00:33:13] He helped Mob Deep with the sample for Give up your Goods.
[00:33:18] But it don't sound like Pink cookies, so that's okay.
[00:33:25] But this is what make these men great. Just like How High by Red and Meth is represented by Granddaddy iu.
[00:33:34] It's the ballot for Joe Lewis by the Crusaders.
[00:33:38] Same sample, but Eric Sermon didn't do it like Easy Moby.
[00:33:47] Now we got people doing the exact same.
[00:33:56] Exact. Like, yo, who did this? Oh, this person did that. Damn.
[00:34:01] So just don't say, let me just bring a new sound or so let me just do something different. Dudes don't do that no more.
[00:34:14] So that's why people will say people have havoc up there. Because what the hell sound like Shook ones.
[00:34:24] All of them got one.
[00:34:26] When we hear these new artists. No, not our new artists. When we hear these artists, we don't know who made the beat no more.
[00:34:34] Because it sound like some weird thing. Just redid that. That don't count. You don't get no points for that.
[00:34:42] You don't get no points.
[00:34:45] So now AZ got Do or Die 3 out.
[00:34:53] But we're talking about Life's a.
[00:34:57] So his new album. That's all I'm seeing.
[00:35:04] His new album, Large professor went on Vlad Vlad asked Lars Professor 19,000 NAS questions. You do you know who the Large professor is and what he did?
[00:35:29] You could ask Lars professor about Lars professor for two hours and get information from Lars professor that's relative to hip hop.
[00:35:41] But even the interviews became about the Next.
[00:35:49] So we not going to talk about friendly game of baseball.
[00:35:53] We not going to talk about the Vagina Dinah album. We're not going to talk about the streets of New York by Coogee Rap that he did.
[00:36:01] We're not going to talk about none of that. We're not going to talk about the ghost production that he did for Eric B and Rakim. We ain't talking about none of that.
[00:36:08] We just going to talk about the fact that he did live at the barbecue with Nas like 30 years ago.
[00:36:18] That shit is a disservice.
[00:36:24] So why isn't people like large on mad platforms? Because they still be active.
[00:36:33] And I don't know if you notice, it seemed like all the podcast dudes and reason why I say gatekeepers because they start interviewing each other.
[00:36:45] They start talking to each other.
[00:36:51] My favorite large professor is Mad Scientists. When I first heard that and. And chill. I don't want to chill. I just want to ill. No, I don't want to ill. I just want to chill and wrap my hand around and $100 bill.
[00:37:11] Now that sample is the same sample that De La Soul used on the album. Did you know that?
[00:37:20] Same sample. But it don't sound like that.
[00:37:25] You get what I'm saying? Like, I think Cam has a dope show.
[00:37:31] I think let's rap about it as a dope show.
[00:37:34] Why the fuck are they still talking about versus you got niggas with podcasts who beef with each other and keep talking about each other.
[00:37:44] It's not really content to me because we could fucking talk about y' all talking about each other, but who's the next dude in Harlem?
[00:37:54] Shout out to Far Rockaway.
[00:37:58] We act like it ain't no artist in Far Rock.
[00:38:03] We act like since Chinks and Stack Pass, it ain't no artists out there. Lord Superb. Shout out to Lord Superb. What about Farah? What about Staten Island? Who don't want to be Shaolin?
[00:38:17] What about dudes who just want to be Yo, I'm from Staten Island.
[00:38:21] I'm from New Brighton. I'm from West Brighton. I'm from Manus Harbor.
[00:38:27] I'm from Stapleton, I'm from Park Hill, but don't want to be Wu Tang. What about them?
[00:38:35] So they got to come through that in order for us to fuck with them. To be from Harlem, you got to be Dipset. To be from Yonkers, you got to be D Block.
[00:38:47] What about all the rappers from Southside, Jamaica, Queens? That's not G Unit.
[00:38:54] Where is the they out there?
[00:39:01] Because if they repping these crews in. These crews don't put them on. What hope do they have?
[00:39:11] Hollis Queens. What about Hollis? So you mean to tell me the only people from Hollis is Ja Rule and LL and Run dmc. Where all the Hollis rappers at?
[00:39:23] Hollis Queens is one of the most memorable places about hip hop.
[00:39:29] That's where Run and and Russell Simmons is from.
[00:39:33] I asked on Twitter the other day, do Jeff Jam still exists? Remember, everybody wanted to be on Def Jam.
[00:39:41] Where the hell. Where's the Detroit rappers at? So Detroit was just D12 and J Dilla and Slum Village.
[00:39:52] Now Fire Detroit is the whole Midwest musically. Is Fire the whole Midwest. Where the Canadian rappers at? You mean to tell me Canada only got Drake and Tori?
[00:40:13] And again, if these artists want to come into the culture and you want to charge them, then let them know that because I'mma be real with you. The new thing.
[00:40:27] I ain't trying to nobody money up.
[00:40:30] Well, we gotta tell the truth.
[00:40:32] The new thing is dudes rapping with the drop mic.
[00:40:40] And I don't want to single nobody out. But we see this new shows now the on the radar, not the single. No, but we see that. But.
[00:41:01] What good is doing videos and freestyles if it's not on dsps?
[00:41:09] What is this?
[00:41:11] Yo, you know, a lot of people do videos and do music and it's not even available.
[00:41:19] They metadata all incorrect.
[00:41:27] So with these guys that have these platforms, they should be saying to people, yo, make sure your metadata is correct.
[00:41:41] Do y' all know what splits are?
[00:41:47] Do you do. Do y' all know what the percentages are?
[00:41:51] When you do a record and you got four people on a record, do you know what the producer get is a valid questions that I want y' all to know is the audience. But I should. I shouldn't have to use what I got because I'll be looked at as a goddamn nobody. Or, you know, I ain't this and I that. While some people could go live and have 17,000 people watching them and they never taught you shit. And this is what I'm saying too.
[00:42:21] If people can't teach you nothing tangible that you can actually learn from and say, oh shit, I'm an implement that.
[00:42:31] How do y' all watch them?
[00:42:33] Because any, any, any of us could talk.
[00:42:37] Any of us could talk.
[00:42:41] But how many people could go in Photoshop and show you. Some could go and Cap Cut could go in any of these programs and show you. Let me show y' all something right here. You see below the screen, That's Photoshop That's Sony Vegas. That's this program, two browsers and look how many tabs I got open. All of that is shit for learning.
[00:43:06] All of that is something that I could show you, But it's like nobody really cares. The job the culture has become talking about that's non existent because the music is non existence. And the dudes who's making music busting their ass, nobody gives a damn.
[00:43:26] So what is everybody talking about?
[00:43:30] The we talking about baby moms for that's hip hop.
[00:43:39] To talk about what chicks is getting cracked. That's hip hop.
[00:43:47] It's like dudes is waiting tonight hoping something happened so they can have something to talk about. Tomorrow is like, yo, we need a topic.
[00:44:02] What is so again.
[00:44:08] And shout out to the punchline Academy because I will give them credit. They'll have people that you never saw before rapping.
[00:44:21] They'll have veterans, but they'll have people you never saw before. That is one of the the drop mic shows that I like because they'll have people that you just, you know, they'll go to different areas and get the people from the area. I respect that.
[00:44:42] But what happened to the dj?
[00:44:45] Do y' all even listen to the radio anymore?
[00:44:50] Remember how important the radio was?
[00:44:54] Who is the so New York City, who is the DJs that you listening to? If you make records, right?
[00:45:05] Hear me out and I'm gonna sum all this up.
[00:45:09] If you make records.
[00:45:15] After you leave the studio with your record. Now let me give you my process. I'm not doing vocals, I'm just creating a beat. But I got to mix the beat. I got to mix each instrument. Everything, the drums, everything got to be mixed.
[00:45:32] Then I got a master it. That's what I do, right?
[00:45:37] Then I got a turning into wave to upload on the dsps. Of course I get all the money, all the splits because it's only me, right?
[00:45:49] But you as an artist that's watching when you create music after you leave the studio or your home studio, whatever you did to record, why nobody is teaching you or showing you what your next step is. So if Michael Jackson. Michael Jackson, he must be talking about me. Bullshit. If Michael Jordan didn't teach Kobe, would there be a Kobe?
[00:46:21] Because remember Kobe used to call Jordan and say, yo, big bro, how did you such and such such Michael Jordan?
[00:46:30] He's secure in his situation.
[00:46:33] He up, he a billionaire.
[00:46:35] So if sad rappers is up and your situation is good, why can't nobody get through you and get into the culture?
[00:46:49] What record labels is in New York, Holla at me. Who you signing to in New York? Holla at me.
[00:46:55] So after you leave the studio with your music, where the fuck are you going?
[00:47:01] Because you don't got no DJs no more.
[00:47:06] There is no more blogs, there's no DJs, there's no blogs.
[00:47:14] You can't get on no podcast, you can't do no interviews.
[00:47:20] You put it on social media.
[00:47:22] Everybody scrolls past your progress, everybody.
[00:47:30] What's your outlet now?
[00:47:36] But then you're fattening the pockets of people who just get in a bag.
[00:47:47] And don't get me wrong, everything should be about getting to money.
[00:47:54] It should be.
[00:47:57] But when getting money is more important then preserving the culture, then what happens when there's no culture?
[00:48:06] What the is talking about? Like I said, I'm not going to be talking about Diddy me.
[00:48:14] I'm not going to be talking about your fifth such and such.
[00:48:20] That's not content to me.
[00:48:26] Content to me is all right, this is where we're going.
[00:48:30] This is where the culture is going.
[00:48:34] This is what's happening.
[00:48:37] Bad Vibes in the building. And see even somebody like Bad Vibes, right? Bad Vibes is from the first generation of the street organization known as the Bloods in New York City, right?
[00:48:51] Bad Vibes will school you and talk about that, tell you the pros and cons of that life.
[00:49:02] So he's necessary to talk to the little dudes that want to be like what he don't even want to be like no more.
[00:49:11] So if an artist has a platform, why they don't talk about the music?
[00:49:19] And I know why.
[00:49:23] Because most of these artists with platforms done stole from a lot of they niggas.
[00:49:33] They stole from a lot. A lot of be getting sued behind the scenes. Y' all just don't know that. But I know they don't took niggas publishing.
[00:49:43] They don't took they songs, they don't took their image, they don't took they style. They done took a lot and then abandoned the music business.
[00:49:55] The new record label is podcasting, and anybody that used to be with them don't have no outlet no more.
[00:50:14] That's just the truth.
[00:50:16] I'm sorry that some of you dudes that y' all love and worship is creeps. I'm sorry.
[00:50:24] I'm sorry that you know, y' all be holding in high regard that stole from their own. I'm sorry.
[00:50:33] Remember, a lie is a thief, and a thief is a liar.
[00:50:39] I'm sorry. I. I know y' all be worshiping because got to the bag fly. He getting money, though.
[00:50:48] Niggas be stealing. Shout out to man. Do you understand what I'm saying?
[00:50:56] These dudes.
[00:51:01] Because I knew about bad vibes before I even talked to him.
[00:51:08] Think about his name is Mandu Warrior.
[00:51:12] So when the misconception based off of commercialization of the street organization called the Bloods of New York, the commercialization had nothing to do with the brothers in jail.
[00:51:33] Because the brothers in jail was going at it with police more than anybody.
[00:51:42] They were fighting police. When you see a lot of them brothers and they don't have.
[00:51:47] Some of their teeth is out and they got scars and they was in the box for. For seven, eight years, they was fighting the police because the police was doing dudes dirty. And when he seen his brother getting jumped by the police, he jumped in.
[00:52:05] But y' all wouldn't know that because we was taught, man, all gangs is stupid.
[00:52:11] You dumb if you do this. No, you dumb if you a certain age and you still doing that.
[00:52:17] You dumb if you out here in the free world with free will doing and you don't have to, then you're dumb because you could be from a neighborhood. That don't mean you got to do what in the neighborhood do. I'm from neighborhoods, too. If is on the corner drinking and smoking eyes. Yo, what up, y'? All?
[00:52:38] Where you going? You know where I'm going. I'm going to work. I don't work. How y' all work? I don't bop. How y' all bop?
[00:52:46] You understand what I'm saying?
[00:52:49] But it's not enough talk about what's being done to push culture forward.
[00:52:57] Is talking about niggas is talking about.
[00:53:00] That's not going to help.
[00:53:02] And I talk to goo all the time.
[00:53:07] I talk to goo all the time in the.
[00:53:12] Listen, the court cases is nasty.
[00:53:19] And y' all be sitting there watching. And I'll be like, yo, do y' all know that this stole everything from his man?
[00:53:29] And then when I come out and I expose, be like, yo, you a hater.
[00:53:34] Ah, Rule number one is no stealing. If you take it, that's one thing. Yo, if somebody strong arm you and you weak, yo, as long as it wasn't no old lady or no kid, yo.
[00:53:50] That's just what it is.
[00:53:52] Nobody like a sneak thief.
[00:53:57] Nobody like a paperwork thief either.
[00:54:03] Nobody like a sneak thief or a paperwork thief. And nobody don't like men who go back on they were either. Because if I'm really your brother and your bro and you say you love me and we this down the third. You why are you trying to take from me?
[00:54:19] And this would be going on, but you know to turn their head because you like the earrings or you like this chain and be having on 100 slump don't even be real.
[00:54:35] But you know, you look at shiny and y' all base success off of materialism. So if somebody had a car or somebody had a crib or. Or whips and chains.
[00:54:47] Whips and chains, you just automatically think they lit.
[00:54:53] And Google could tell you it's that y' all love that'll call him for $50. It's, yo, be popped out here.
[00:55:05] Be popped.
[00:55:09] You'll see like, nah, I grew up. I don't care about nothing. You care about that. You just pop right now.
[00:55:17] You popped.
[00:55:19] And even when you in the culture and you popped, right? Even you in the culture and you popped. That's a lesson to teach, yo.
[00:55:29] Make sure you do your taxes.
[00:55:32] Make sure you get this looked over.
[00:55:36] So when I bring these people on and they say, yo, now we had the same lawyers.
[00:55:45] That's why I'll never look at Junior Ryder like a real.
[00:55:49] Because that was your time to say, yo, I got done dirty. I had the same lawyer. Cam gave me the same lawyer that he had, the same lawyer that he had that drew up my contract, looked over the contract for me. That's a conflict of interest.
[00:56:08] That was a teachable moment for y'. All. But the be getting scared, hoping that a who oppressed them throw him a bone. And that's most of these problem. They still want to be with the who did them dirty.
[00:56:25] I reward with disrespect, with distance. Because some people I know, they moms or their kids, so I can't pop their head off. So I'll just be like, yo, I don't rock with dudes.
[00:56:36] Why not? Yo, I ain't even gonna get into it. But I don't with dude.
[00:56:41] Because if I tell y' all why I don't mess with certain. You'd be like, word.
[00:56:46] All I say is, yo, when you see me move away from somebody, move with me.
[00:56:52] Because I don't with certain. Because they thieves and they liars.
[00:56:57] But when I put the information out, there would be like, yo, damn.
[00:57:07] Why y' all couldn't talk about this behind the scenes? Cause A did it publicly. So we gonna talk about it publicly, will we? Listen, man, everything we knew don't exist no more.
[00:57:26] You want for your brother, what you want for yourself?
[00:57:29] I don't put people before me. Like, yo, I done had credit Cards and was like, yo, let's, let's, let's, let's. Yo, I'll bust the credit card right now because we don't got no money.
[00:57:44] But I got this car. I activate the car for your kids to have a Christmas.
[00:57:51] That's just how I give it up. But we, you know, nobody should do without because we not doing what we got to do.
[00:57:59] You know, we should never be.
[00:58:01] The kids should never be in the same situation that we was in. Because we men, we got to figure it out. Ain't no crying, ain't no damn man. Every time I turn around, that's, that's talk to me. Nah, you gotta figure it out.
[00:58:16] We was little, yo, we would go pack bags, we would go pump gas, we'll collect cans. We do whatever we had to do to make ends meet when we was little. So how be grown ass men and don't do that.
[00:58:33] Talk about, nah, son was supposed to.
[00:58:37] Another man got you not feeding your family.
[00:58:47] Another man not doing something for you is why you couldn't make something happen.
[00:58:53] Another man can't promise me something. I ain't no.
[00:58:59] If you went off another man's promise, just think about this. Men, men, you can't sell no promise to your family.
[00:59:15] All this, yo, I'm waiting for this call or son supposed to do this.
[00:59:21] That's how you gonna feed your family.
[00:59:28] That's how these dudes are in the culture, talking about who they gonna help and who the they gonna put on. Ain't putting nobody on. Because when they gotta put people on, they've been promising certain people for 20, 30 years.
[00:59:44] And trust me, ladies and gentlemen, you're not top of the list.
[00:59:49] You might get some trinkle down, but nigga will bust up some money, bust up some liquor, eat a steak in your face before he give you shit.
[00:59:57] That's why I don't depend on no man for nothing.
[01:00:02] Imma figure it out.
[01:00:06] Rest in peace to my brother Mel.
[01:00:09] Only reason why I don't think about my bro and be sad, and this is my physical brother. I don't be sad because I always think about the jewels and lessons that he gave me for the time that he was here on this plane. He said, yo, you gotta figure it out, and used to make me mad, but he was real, you know, you gotta figure it out.
[01:00:31] Gotta figure it out.
[01:00:35] You mean to tell me all these platforms were ex rappers or current rappers? Like, do y' all niggas still rap or do you get to play with rap when you feel like it? Because you got a name.
[01:00:55] You get to play with it. You get to. I'll put out a song. You know, I heat the streets up.
[01:01:05] What about a person who's trying to change their life via their talent, and then you want them under you.
[01:01:18] So you could steal from them.
[01:01:24] I got music for sale.
[01:01:27] I'm not giving nobody no beat without no paperwork.
[01:01:31] I want everything in writing.
[01:01:33] Everything got to be in writing. Everything got to be in black and white, man. Handshakes don't matter no more because got greasy palms.
[01:01:40] I don't even shake hands. I don't even touch fingers.
[01:01:44] We. We fist bump and that's it.
[01:01:50] Everything got to be on the up and up.
[01:01:55] Everything got to be on the up and up.
[01:01:59] Because is you praying for is praying on you.
[01:02:13] You absolutely right. They got a brand, they could put out a record whenever they want to. You don't have that luxury.
[01:02:23] So when people hit me and they be like, yo, how much for an interview?
[01:02:27] Be like, for real, yo, bro, it's not about the money, but I got to do certain things to keep the light on, lights on. To have an outlet for you to do an interview.
[01:02:41] Shout out to Gongo for setting off that super chat. He said, I got a rapper client that we all know took him 35 years to see his first royalty check. His own friend was lying to him about royalties.
[01:02:55] This is what I'm saying that we all know.
[01:03:04] And of course Goo has his clients. He got confidentiality.
[01:03:10] But the stories is bad because I know of people that I brought to him. Yo, Goo, could you look into this person publishing for me? He'd be like, yo, damn, such and such is stealing this publishing in Europe.
[01:03:22] Just like that.
[01:03:24] You got, you got who make up dummy companies from it. But now they podcasters. Now they acting like they ain't do. Oh, I don't even deal with the music industry no more. Yes, you do. Cause you collecting the check every three to six months off your man.
[01:03:42] You don't even know it. Some are sitting with each other, some is cool with each other, still riding for each other, still pumping each other. You don't even know that they could be stealing from you for like 35 years. It's just the truth.
[01:03:56] And I know this is no filter. The truth is not popular.
[01:04:00] The truth is not cool.
[01:04:03] Nobody really want to hear it. And people would be like, name names. Well, listen, man, when people tell you what people do, you don't care. Because all the got to do is do something you like and you forget about all they up ways Actions and deeds and could do whatever they want these days. You done seen niggas rat.
[01:04:21] You done seen niggas do all types of See you said he never signed up to ask Kappa bmi. Let me tell you something.
[01:04:33] It's ways to get around that as CAP and BMI or CSAC is not your savior because a lot of times they don't be on top of your.
[01:04:45] It's deeper than ASCAP and bmi. But how could the people that's hurting you supposed to teach you?
[01:04:59] Because everybody who had a podcast had an artist, right?
[01:05:04] Where the artists.
[01:05:09] If everybody you know has a podcast that rap, where's the artist?
[01:05:19] That's the cheat code.
[01:05:23] I got a podcast, you my artist.
[01:05:26] Just the cheat code.
[01:05:30] Don't even be pushing nobody.
[01:05:36] So again I ask you, how is the culture supposed to move forward if there's no music?
[01:05:44] There's no music.
[01:05:52] Goo would tell you.
[01:05:57] There's a female artist.
[01:06:07] That sung on hundreds of records, Thought they were signed, don't even know that they were signed as a session singer.
[01:06:42] And I feel bad.
[01:06:45] And I always speak to them. I always speak life into them and encourage them because they don't even know.
[01:06:53] They not even entitled to no money.
[01:06:56] They not entitled to shit. And they own some of your favorite records.
[01:07:01] They had no clue because their lawyer was their lawyer, their manager was their manager.
[01:07:12] And a work for hire could be $50, it could be a hundred dollars, and you want a platinum record, you don't even know.
[01:07:26] But if I tell you, you still gonna be on certain niggas dick because you've been blinded.
[01:07:36] And depending on how popular certain people are is whether you gonna turn your head because you've been conditioned.
[01:07:46] They didn't even know.
[01:07:51] They don't even. A lot of y' all don't even know what a conflict of interest is. Because a lot of times when I talk, I get argument and I get feedback and I get pushback from people who don't even know what the they talking about. People who've never stepped foot in a record label in their life, who's never had a record deal.
[01:08:16] They never had a record deal.
[01:08:19] They talk about what they heard, they talk about what they think, but they don't know.
[01:08:29] So it's all twisted because those are the people who run their mouth a lot.
[01:08:43] And it's some horror stories that took place.
[01:08:53] And Google tell you that one of your favorite people said, I'm just doing what the white man taught me.
[01:09:07] I'm just doing what the white man taught me.
[01:09:21] That's how terrible this is.
[01:09:28] Ron Royal gaming. You could say stay independent. But what does that mean?
[01:09:33] What does independence mean when you have no outlet?
[01:09:43] Do you know one of the most popular groups.
[01:09:50] Just got money for a record that they did over 30 years ago?
[01:09:56] That's the they should be talking about. But they start protecting each other.
[01:10:04] They just got money for a record they did 30 years ago.
[01:10:15] That be buying houses off you.
[01:10:20] These things got podcasts now. This is shit they should be teaching you and telling you.
[01:10:27] So if we listen to.
[01:10:34] Let's think about this.
[01:10:37] If we had the Madison Square Garden freestyle, which was Big Daddy Kane show.
[01:10:48] All we know from that freestyle.
[01:10:52] Where Brooklyn at? Where Brooklyn at? I got seven Mac 11s. About eight. Love that.
[01:10:59] We love that.
[01:11:04] We remember summer Tupac verse.
[01:11:09] But did you know School blubber also rapped on that?
[01:11:17] And Shaheen and Kane.
[01:11:24] So if the records get put out.
[01:11:29] And these other people. Because we think it's Biggie, right? It's not now he's not here, so there's no wrongdoing on his part.
[01:11:40] Pac ain't here. Ain't no wrong doing on his part.
[01:11:45] But where is Shaheen?
[01:11:51] Where's Scoob? Where's. Why? What's going on?
[01:12:01] So it's a lot of that.
[01:12:03] It's a lot of that took place.
[01:12:09] Is Kane shit.
[01:12:17] You said you gotta have fun with hip hop. The minute you stop having fun with hip hop, it becomes all bad. No, the minute you don't get compensated for your work, it's all bad.
[01:12:28] Nothing is fun that you could.
[01:12:31] That you should be getting paid for.
[01:12:37] A R administration was the most important. After labels, they did all the royalty paperwork. That is absolutely incorrect.
[01:12:44] That is incorrect.
[01:12:48] That's not what ANRs did the royalty paper. What the hell are you talking about?
[01:12:55] They didn't do no. That. That's incorrect.
[01:13:00] That's incorrect.
[01:13:06] The deal is anything you do, you should get paid for. That's it.
[01:13:15] This ain't about fun.
[01:13:19] We do this for a living. Some people do this for a living. And then what happens is when many of us get put in situations, you have people to say, go get a job.
[01:13:34] My job is not to put out content. I mean, what the.
[01:13:45] Anyway, It's up to y'. All.
[01:13:52] Y' all the audience.
[01:13:54] Y' all the people who push all of this forward, don't think your voice don't matter.
[01:14:02] And when you use your voice, use your voice for shit that you know that you want the answers to.
[01:14:16] Even if you handle your business again. You said, are you or you Definitely got to handle your business, man. If you don't handle your business, man, they're going to get you. They're gonna get you if you handle your business. That's what we talking about.
[01:14:29] Because it's a lot of things that you don't know and they're not going to teach you right now. If I go to BK and I go to a star and it's a kid out there rapping and I sign them, what am I signing them to? But he'll be happy to sign with me because I'm doggy diamonds and he don't know that I just took everything I could get. That 4, $500. He gonna go get him some reefer, some liquor, And they don't understand the game.
[01:15:07] But how could I teach somebody something if I plan on stealing from them? You know, the person who robbed you don't tell you they're robbing you. You do know that, right?
[01:15:20] Just like a lot of dudes thought they were signed to record labels when they were signed to production deals.
[01:15:29] Do a lot of these dudes tell you they signed the production deals?
[01:15:33] Did a lot of these dudes tell you that they're still in some record deals that they've been in for 20 years?
[01:15:40] They don't tell you that.
[01:15:47] They don't tell you that. Yo, I've been in my deal for 13 years.
[01:15:53] Just, just, just telling you.
[01:16:01] But they still acting like they lit.
[01:16:06] And niggas is big, got beat like, yo, listen, man, tell the truth.
[01:16:10] Just tell the truth, man, that. The truth is. Let me tell you something about the truth. The truth is so freeing because that's why when you see niggas, they be looking all washed up. They look like they age 30 years and two months. That eating them up.
[01:16:27] They do an audit on the record label.
[01:16:31] They do audit on, on a production deal. They do audits on a lot of. And they be like, damn, man, owe me 100k.
[01:16:44] I done lost my crib.
[01:16:47] I don't. Lost everything. And the man stole 100k from me. I needed that.
[01:16:55] But they be scared to talk. Why?
[01:16:57] Because gatekeepers start putting in a bad word for them.
[01:17:03] That's why I don't depend on men.
[01:17:07] Because if you steal from me, I'm a fuck you up.
[01:17:12] I don't care who you are, you steal from me, you getting your ass whooped.
[01:17:17] Fuck it. I don't eat nobody. Eat ain't no lawyers. Yo, the nigga stole the what?
[01:17:27] Nah, nah, you ain't gonna be sitting up living in the gated Community. And I'm back in the hood pop repping your shit that I can't even use to my advantage because you own it.
[01:17:42] Nah, I don't listen, I'm not there yet.
[01:17:49] I don't forgive people who do me wrong. I know people be like, forgive them for yourself. No giving, no who stole from me or who did me dirty because they said me. So I'm supposed to forgive the person. So. So say, let's hypothetically speaking, like Max B said a clunked me in my head with a bat and I got a piece of my scalp missing. And every time I take my hat off, somebody say, yo, what happened to your head? Oh no, such as a bust me in my head, I forgive them. So every time somebody asks me what happened to my damn scalp and I gotta explain it, I'm supposed to forgive the person who bust me in my head.
[01:18:26] No, we not doing that.
[01:18:31] No.
[01:18:33] And how can you forgive if you can't forget?
[01:18:37] That's the age old question. People be like, you forgive but don't forget.
[01:18:43] Your half of my dome could be missing.
[01:18:46] And you telling me to forgive the person who clunked me.
[01:18:50] And they somewhere bragging at the fact that they clunked me.
[01:18:57] And you say, nah, you gotta forgive for yourself.
[01:19:03] I didn't clunk me, that nigga did.
[01:19:07] I ain't forgiving that nigga.
[01:19:10] That nigga bragged about clunking me.
[01:19:17] How could you forgive if you can't forget?
[01:19:22] If every time you put on a hat and you got a dent in your hat because you got a little piece of your scalp missing, you just gonna be like my normal, no, didn't they hit me in the head with a bat for nothing.
[01:19:38] That forever.
[01:19:41] So when people do to me and they're being malicious, I don't forgive them.
[01:19:47] Because had it had worked, you would have just been okay with it.
[01:19:54] Some people only want forgiveness when they get caught.
[01:20:00] No, had it had work, you wouldn't be like, yo, we got this. You know, would to me when be like, yo, we gotta have a sit down.
[01:20:10] You ain't no mob boss. We don't gotta sit down and do nothing that we can't do over the phone or FaceTime. If it was me, then it's you. Okay, I don't get past that because I don't like how I feel. When do foul, cuz now I gotta contemplate. Damn, I know this mother, yo, I know his kids.
[01:20:34] Damn, I'm just gonna go my way.
[01:20:37] Nah, we gotta talk. Talk about what?
[01:20:40] No, I was Wrong. When did you decide that?
[01:20:44] When did you decide you was wrong? Because you was wrong and strong. You was living on it.
[01:20:50] I can't forget. Yo, look, I guess I'm forgiving you because I ain't wrapped my hands around your throat.
[01:20:59] So I guess. I guess it's cool.
[01:21:02] But just leave me alone, man. Go your way.
[01:21:05] Just do what you do. I'm not trying to hinder you. I'm not fucking with you.
[01:21:10] But go your way because you broke something that can never be repaired. There is no.
[01:21:19] No comeback from betrayal.
[01:21:22] And you watch niggas in this culture betray each other and then be.
[01:21:27] No. That was some wild.
[01:21:31] You don't steal from your people, man.
[01:21:35] You don't undermine your people.
[01:21:38] Anything that anybody's supposed to get, anybody that they entitled to, just give it to them, man.
[01:21:46] Just give it to them.
[01:21:50] You going to get yours.
[01:21:52] Just give it to them.
[01:21:55] You feel better?
[01:22:00] I don't forgive nobody for.
[01:22:07] I don't.
[01:22:10] But it's your duty as people who's watching these guys to push the envelope because maybe they. All right, all right. I don't give an out, right? But I'll say this.
[01:22:27] Maybe some of the people want to show you and teach you. Maybe they don't think you want it.
[01:22:34] So what you do, you go on a Instagram, you go on the YouTube comments and ask questions and only accept the answer from them.
[01:22:54] So when you see the let's rap about his show, you go in the comments or you go on his personal page and you say, yo, Fab.
[01:23:05] Fab is my bro. I'm not singling him out.
[01:23:09] But you say, yo, Fabric, you still sign the clue.
[01:23:20] You still on Def Jam.
[01:23:25] Are you not releasing music because you don't want to or because you can't?
[01:23:32] Because I support you in everything.
[01:23:36] But I need to know what terms or what terms not to sign when I sign a contract.
[01:23:46] Because that's a teachable moment.
[01:23:48] Again, when I got demonetized, I did a whole video showing y' all, don't let this happen to you.
[01:23:58] They got me for my email.
[01:24:00] I clicked some in the email and they got me, don't do it.
[01:24:07] And then I told you the steps to avoid that if it happened to you. How to avoid it.
[01:24:14] Even if you click the email by mistake, there's a way to get around that.
[01:24:22] What did I do? I give it to y' all again. How about that?
[01:24:26] How I avoided getting my channel taken forever.
[01:24:32] The first thing I did was I paid for my email.
[01:24:39] So although I got the email for this Channel.
[01:24:42] I also have info at Doggy Diamonds tv.
[01:24:50] I have info at Doggy Diamonds tv.
[01:24:54] Info at Doggy Diamonds TV is a service that I have for my website, email, but it's through Google Workspace, right?
[01:25:10] Google Workspace is a paid service.
[01:25:17] So when my email got hacked because I clicked this stupid shit, I was able to prove that it's my email.
[01:25:29] Because I pay y' all Emma efforts every month, I was able to show the last four digits of my credit card with my name.
[01:25:41] Info at Doggy Diamonds TV was connected to this channel. I pay y'. All. This is me. This is my identification, this is the last four digits of my credit card, and this is my channel.
[01:25:59] They gave me my channel back.
[01:26:04] So I tell everybody, get Google Workspace and pay for your email if you have a YouTube channel. So any event that you happen to lose your channel because somebody hacked you, somebody fished you, look up what fishing is.
[01:26:27] You can show improve.
[01:26:29] I pay y' all every month. This my and they're going to give you your back.
[01:26:38] Do you even know that it's a chat?
[01:26:43] Did you know that it's a chat that you can chat with them?
[01:26:49] But I don't have 400, 000 subscribers. I don't have all of this. I don't have all that. But I still give y' all the information because many of y' all are trying to be content creators. Many of you are content creators, but this is what they doing to us that don't know. So somebody who know is supposed to tell y' all, because even if you have more subscribers than me and get more views than me or who gives a shit, that don't mean somebody got the right to take your shit.
[01:27:23] The first person through the door gets shot.
[01:27:29] So we running in the juxtapot.
[01:27:32] If I run in there first, I'm going to get blamed.
[01:27:39] So I ran through the YouTube creation door and they got me.
[01:27:48] Appreciate you. They got me by go to Google Workspace and connect your website, all of that.
[01:28:02] And even when you book consultations with me, these are the things that I tell you.
[01:28:07] These are the things that I show you because it is my duty to tell you this.
[01:28:17] So when they got my channel, you had niggas who made content about it.
[01:28:23] Then you had niggas who say, yo, I help you with your channel.
[01:28:33] Philly was going on West Philly in the building. You get what I'm saying?
[01:28:38] So again, if you just came into the room or you listening, Google Workspace is your friend. It's about $12 a month.
[01:28:48] Buy your email, connect it to your email that goes to your Gmail account that's connected to your YouTube. It's the same. So if they email, this given email is going to go to that same email box.
[01:29:09] When you get that, if any event of your channel being taken, you can prove that you own your channel because they take money from you every month, whether it's out of your bank or off your credit card or if your debit card you can show, hey, look, same name, same debit card, same credit card. This is my channel. Somebody this, that. And the third, after investigation, they gave me my channel back.
[01:29:42] That's what happened.
[01:29:46] So please do that.
[01:29:49] Please do that. Google Workspace.
[01:29:54] Google Workspace. If you want your YouTube channel, do that.
[01:30:01] But on that note, I was gonna play out some new music, but I don't feel like it now. I'm tired.
[01:30:07] All right, let me get the hell out of here. But to all the producers out there, I want y' all to know that if you have a beat that you play, I'm gonna give y'. All. Jewel, don't say I never gave y'. All.
[01:30:21] If you have a beat that you play via the keys is on midi, right?
[01:30:29] All you have to do, even if your favorite record that you love, everything has MIDI keys to it. So it could be a sample you love. Look up the MIDI version of it.
[01:30:43] I'm just going to give you all that. Don't say I never gave you all shit. Look up the MIDI version of the song.
[01:30:52] Every song has a MIDI version.
[01:30:57] You take it, you put it in your daw, and you just find the sounds to match the MIDI version.
[01:31:08] And that's how you do shit over a sample, shit over.
[01:31:14] Just don't say I never gave y' all nothing.
[01:31:18] If you know how to do drums, then that's a plus. Me, I come. I'm SP 1200. So I know drums. Like, that's the easiest to do is drums to me. That's why all my drums is always going to be pristine.
[01:31:32] MIDI M I D I. That's why all my drums is going to be pristine. All my drums gonna be fly, because I know drums.
[01:31:42] So you take your drums and you make your drums around it. You get you some drum rolls, you get you different things, but it's a lot of work. But it ain't. If you love it, you gonna do it.
[01:31:57] So if you just joining me here tonight, just remember, if you want to get interviewed, hit me up on the DM if you need promo, hit me and hit me up on the dm and it's important that you follow me on Facebook.
[01:32:11] Doggy Diamonds. Facebook.
[01:32:14] That's the name. Facebook.
[01:32:15] Com.
[01:32:17] Doggy Diamonds. Facebook.
[01:32:19] And don't forget this. This guy has a message for you.
[01:32:26] Subscribe.
